Archive for death cab for cutie

Philly Journal, 3/9/14

Posted in Philly Journal with tags , , , , , , on March 10, 2014 by sethdellinger

In this itinerant sort of life I live, moving from place to place every few years, it becomes easy to put the specificity of places out of mind quickly.  What I mean is this: I spend a few years getting to know an area, its history, landmarks, my favorite restaurants and stores and the quickest routes from point A to point B, and generally becoming a familiar citizen of these places.  And then, some would say quite suddenly, poof!, I’m gone, off to a whole new existence (I’m aware I’m not the only person to have ever moved to a new area).  It’s odd: once I’m in the new place, while some of the specifics of the former place may swirl on my periphery for a few days, they are largely completely tossed aside.  Now, please mind this next sentence: I am not suggesting I forget the lovely people or experiences from these places.  I’m thinking more about my favorite Chinese buffet in Erie, PA, a real shithole that I fell in love with when I visited it at first on a balmy summer day just a month or so after I moved there.  I’d just visited the Erie Art Museum for the first time (my first trip to an art museum by myself) and I was laden with pamphlets I had picked up there.  I sat at this shithole buffet for an hour, gorging on fried rice and realizing I loved art.  I went to this buffet roughly one million times over the next year.  It saw me get the fattest I’d ever been, and then slowly became an occasional guilty pleasure in the months before I moved away from Erie, as I was becoming slender and trying to avoid buffets.  That Chinese buffet was one of just about 100 unique places I evolved for myself in the 2 years I lived in Erie; the places we choose to frequent and spend time in outside the house become an extension of our personalities and identities.  I had places I liked to ride my bike, and stop my bike.  Places I rented movies, and bought books, and places I read books.  And then, in a decision made over the course of just a few weeks—I was gone, living with my mother in South Jersey.  Now I haven’t thought of those places–places that made up bits of my identity–for months or a year.

When I landed in South Jersey, for a week or two, I felt like I inhabited many worlds.  My new home was New Jersey, and I was excited to explore it.  But my identity in Erie was a good one, and it was fading like a seen ghost.  At the same time, I was working in Philadelphia—another aspect of identity.  In all three places at once, I was developing, forgetting, or remembering the places I loved that were special to me.

Eventually, I made quite a few special places in South Jersey.  A few antique shops that I liked to stop by all alone, browsing the musty wares, thumbing through the hundred-year-old postcards and selecting a few to buy each time.  The record store, Tunes, out on the absolutely horrid Black Horse Pike, where I secreted away to about every two weeks, where I once found and bought a vinyl copy of Bruce Willis’ blues album, and where I rebuilt my collection of Radiohead CDs.  I can still remember the taste of the incredibly overpriced cheesesteaks at King of Steaks on the main drag in Woodbury—with their three booths and cans of soda.

And then, in a decision again seemingly out of nowhere, I suddenly found myself living in Philadelphia.  I was immediately in love with my new situation, and often still find myself chuckling as I walk along the street to my house in the afternoon, all alone listening to Death Cab for Cutie on my iPhone, and I look over my shoulder and see the skyline.  What an adventure is my life, I think to myself.  And although South Jersey and my identity there hung over my life like a disappearing ring of smoke for a few days, it didn’t take long for me to forget the Barnes and Noble out on Almonesson, despite having gone there 50 times in the last year and a half.  I had new places replacing that one, and a new kind of identity forming with them, and down the road, these new ones will soon enough be replaced and forgotten, too.

This evening, as I was showering, I tasted one of those Woodbury cheesesteaks—I’m not sure why, but there it was—and I suddenly missed everything all at once.

What are your current places? What are some you’ve almost forgotten?

My 14th Favorite Song of All-Time

Posted in 100 Favorite Songs with tags , , , on January 28, 2013 by sethdellinger

“Styrofoam Plates”
by Death Cab For Cutie

There’s a saltwater film on the jar of your ashes;
I threw them to the sea,
but a gust blew them backwards
and now the sting in my eyes—
that you then inflicted—
was par for the course
just as when you were living.

It’s no stretch to say you were not quite a father
but the donor of seeds to a poor single mother
that would raise us alone—
we never saw the money—
that went down your throat
through the hole in your belly.

Thirteen years old in the suburbs of Denver,
standing in line for Thanksgiving dinner
at the Catholic church
(the servers wore crosses
to shield from the sufferance
plaguing the others).
Styrofoam plates, cafeteria tables,
charity reeks of cheap wine and pity
and I’m thinking of you,
I do every year when we count all our blessings
and wonder what we’re doing here.

You’re a disgrace to the concept of family.
The priest won’t divulge that fact in his homily
and I’ll stand up and scream
(the mourning remain quiet)
you can deck out a lie in a suit,
but I won’t buy it.
I won’t join the procession that’s speaking their piece,
using five dollar words while praising his integrity.
Just ’cause he’s gone, it doesn’t change that fact:
he was bastard in life, thus a bastard in death!

 

My Favorite Music of 2012

Posted in Rant/ Rave with tags , , , , , , , , , , , on January 2, 2013 by sethdellinger

Well well fair blog readers, it is time once again for my year-end favorite music list.  Unlike in years past, this will be the only year-end list here on Notes From the Fire, as I simply haven’t been paying enough attention to anything else to make a decent list.

If you’d like to go back in time, here are links to previous years’ lists:

2011

2010

2009

There were two years of lists before these, but they were on my MySpace blog, which has mysteriously disappeared.  As usual, a mix disc representative of this blog has been made and will be automatically sent to those of you on my “mailing list”; if you aren’t and you want to be, contact me!

All music on this list was released in calendar year 2012.  The list itself is limited to only full-length albums, but there are some runners-up after the list by artists that either didn’t release full-length albums, or whose album sucked, but since this is literally a list of my “favorite music” released this year, it seemed silly to continue limiting it to only full albums.  Now: the list!

10.  Benjamin Gibbard, “Former Lives”

BGFL_5X5-01Death Cab for Cutie frontman Gibbard unleashed his first solo effort this year, and of course, it sounds and feels a lot like Death Cab, but lyrically, the album sticks solely to relationships (mostly romantic, but occasionally musing on friendship, too) and never veers onto some of the larger topics Death Cab albums often deal with.  A highlight is Gibbard’s duet with Aimee Mann on “Bigger Than Love“.

9.  Delta Spirit, “Delta Spirit”

The California indie rocker’s, on their second album, grow and evolve from the raw, straight-ahead power they used on 2010’s “History From Below” into a band with more textured, layered sublety, while still retaining their ability to outright gut-punch their listeners.

8.  Alabama Shakes, “Boys and Girls”

alabama-shakes-boys-and-girls

The Shakes have spearheaded a new movement of indie Americana, and nobody is going to do it better than they do. They’re not writing songs for the radio.  There are no enormous, sweeping, soundtrack-ready singalong choruses (hello there, annoying second chapter of the Mumford and Sons story), just genuine feeling and the ache of living and working in an America that doesn’t notice you.

7.  Neil Young and Crazy Horse, “Psychedelic Pill”

Young and Crazy Horse had quite a year this year, putting out an album of covers, as well as this album, their first new original music together in many, many years.  And it did not disappoint.  A double-disc album, it only has eight songs on it, as these crunchy blasts of feedback perfection keep stretching over the 20 minute mark.  Not to be missed if you’ve ever been a fan of what Young and Crazy Horse do together.

6.  El Ten Eleven, “Transitions”

Practitioners of the dark art of Post-Rock, this duo uses live looping to replicate their large sound in the live setting.  This year’s album, “Transitions”, found them reaching even further toward the epic, big-idea tomes their genre-mates usually turn out, although they still often give their songs goofy titles, like “Thanks Bill“.

5.  Public Enemy, “The Evil Empire of Everything”

Public_Enemy-The_Evil_Empire_of_EverythingI know what you’re saying!  “Rap?!”  Well, yes.  Way back in the day when I was solely into rap (ie, high school) Public Enemy was one of my favorite acts.  Chuck D is an amazing lyricist and they are very hard-hitting musically.  A review in a magazine prompted me to check out this new album, and I was instantly smitten.  Their music is, in fact, closer to “rock” than most hip hop acts, and Chuck’s radical social conscious speaks to my ever-more-liberal than last year ideals.  But warning: this dude is more liberal than you are (whoever you are), and if you have a problem with a black dude still accusing the white establishment of fucking with black folks (which definitely still happens, black president or not) then you should stay away from Public Enemy (and enjoy your Kenny Chesney concert).

4.  Neil Young and Crazy Horse, “Americana”

The first album Young and Crazy Horse put out this year, “Americana” is a collection of classic American folk songs, re-written in gritty, in-your-face grunge style that goes great lengths of changing (or in some cases, re-enforcing) how we view these songs we’ve all heard hundreds of times.  Read more about it and stream the entire album here.

3.  Emily Wells, “Mama”

emily-wells-mama

Emily Wells, a solo artist who utilizes live looping much like El Ten Eleven, writes haunting, unconventional visions of angst and longing, but on this year’s “Mama” she took things a step further by writing flat-out stunning poetry for lyrics.  On previous albums she had always witten very effective, affecting songs, but on “Mama” she gets subtle, roundabout, and mysterious while keeping things just within reach of accesibility.  If she continues to evolve at this rate her next album will cement her status as a cult hero.

2.  Godspeed You! Black Emperor, “‘Allelujah! Don’t Bend! Ascend!”

godspeed

Aside from perhaps classical and some jazz, there is absolutely nothing more serious in the world of music than Godspeed You! Black Emperor.  Do not approach this band if you are not capable of listening to music to ponder your absolute and complete reason for existence.  And to explore where the line between perfect joy and utter despiar lies.  The godfathers (and godmothers) of post-rock, Godspeed hadn’t released an album in 10 years, and speculation had asserted they probably were not going to.  So when “‘Allelujah” was announced, it sent shockwaves through the post-rock community, with most people assuming no album they could release would possibly be able to live up to expectations.  But they proved everyone wrong.  The album came out to almost universal acclaim.  Most people are actually somewhat baffled by the post-rock perfection that goes on here, and how, after 5 of their own albums and countless (truly, countless) copycat bands, Godspeed is somehow still able to surprise us and find new, truly incredible ways to make this kind of music.  Also, having purchased the album on vinyl, I have a code for a free download of this album that I will pass along to the first person who asks for it.

1.  Band of Horses, “Mirage Rock”

Band-of-Horses-Mirage-Rock-e1341892680685

Over the course of the last few years, Band of Horses have come to the forefront of my music-listening life (although I hesitate to crown them my “favorite band”, as other bands might be more at the forefront if they’d been on the same album release and tour schedule as Band of Horses).  The band’s sound, the lyrical content and the overall subject matter of the songs, and even all the albums’ packaging (every album so far has come with a packet of photographs that don’t say anything on them and are just assumed to be a visual accompaniment to the music) steers me to this band.  This year’s “Mirage Rock” only ramped up this enjoyment all the more.  Songs like “Slow Cruel Hands of Time” seem to not only be about my own feelings, but practically a plot-specific memoir of my life.  For the last six months, “Mirage Rock” has been a steady and constant companion, the true soundtrack to my life, and as such, it gets this year’s number one spot!

Runner-up songs:
Imagine Dragons, “Radioactive”
Bruce Springsteen, “We Take Care of Our Own”
Gary Clark Jr., “When My Train Pulls In”
GROUPLOVE, “Itchin’ on a Photograph”
Silversun Pickups, “Skin Graph”
Grizzly Bear, “Yet Again”
Kaiser Chiefs, “Little Shocks”
Mogwai, “San Pedro”
Hey Rosetta!, “New Year Song”

My 21st Favorite Song of All-Time

Posted in 100 Favorite Songs with tags , , , on December 11, 2012 by sethdellinger

is:

“We Laugh Indoors” by Death Cab For Cutie

I’m not going to waste too much time talking about how amazing this band is.  Heaven knows I’ve spent more than enough time trying to do that in the past ten years.  If you’re going to like them, you already do.  But if you have negative, silly notions about the band, allow me to dissuade you of them: they are not “weepy emo”, they are not for high schoolers, and they do not suck.

These are songs for grown-ups.  These are complex, layered songs about the intricacies of adult life.  Some Death Cab for Cutie songs haven’t fully cohered for me until after 20 listens.  There is a lot going on, both lyrically and musically.

“We Laugh Indoors” is a unique entry in Death Cab’s catalogue, but in fact, it would be a unique song in any band’s catalog.  It is, like many songs, about a relationship that has ended.  But it has a musical and a lyrical quirk that send it into the stratosphere for me.  Musically, it begins with an erie, creeping swagger, only to explode in an unforeseen middle section—all the more unforeseen for how uncharacteristic it is of this band.  Lyrically, singer and lyricist Ben Gibbard decides to communicate his obsession with this woman by using repetition in a way I’ve never heard it before.  It’s not a chorus, yet he repeats, I think twelves times, “I loved you, Guinevere.”  It makes the listener a little uncomfortable—almost certainly Gibbard’s intention.

I’ve posted the lyrics below, and below them, the studio version of the song, and below that, a live version that is interspersed with interviews with the band, from the superb movie about their life on the road, “Drive Well, Sleep Carefully”.  Seeing the fire and intensity with which the band plays this song should make believers out of anybody.

Look at his opening gambit here: he likes to imagine that the laughs he and Guinevere shared in the rooms they used to live in are still trapped somewhere under the hardwood floors, and he imagines “peeling the hardwoods back” to let the laughs back out, that he might hear them again.  But look at how he says it:

We Laugh Indoors

When we laugh indoors,
the blissful tones bounce off the walls
and fall to the ground.
Peel the hardwood back
to let them loose from decades trapped
and listen so still.

This city is my home,
construction noise all day long
and gutter punks are bumming change.
So I breed thicker skin
and let my lustrous coat fill in
and I’ll never admit that
I loved you guenivere.

I’ve always fallen fast
with too much trust in the promise that
“No one’s ever been here, so you can quell those wet fears.”
I want purity, I must have it here right now.
But don’t you get me started now.

December’s chill comes late,
the days get darker and we wait
for this direness to pass.
There are piles on the floor
of artifacts from dresser drawers,
and I’ll help you pack.

My 45th Favorite Song of All-Time

Posted in 100 Favorite Songs with tags , , , , on July 18, 2012 by sethdellinger

Click here to read about this list, or click here to see all previous entires on the list.

And my 45th favorite song of all-time is:

“Two-Fifty” by Chris Walla

Chris Walla is the absolute genius guitar player and indie rock producer who is the lead guitarist for Death Cab for Cutie, and who produces such heavy hitters as The Decemberists and Tegan & Sara.  He has released one solo album, Field Manual, and “Two-Fifty” is the standout track on it.  It is a song about how the Industrial Revolution has altered the role of the individual in society.  That’s right.  That’s what it’s about.  But it is a tender, reflective, subtle song, that more mourns for a loss of what once was, than is enraged by the inevitability of what has become.  The video below is a video I made and put on YouTube because it wasn’t on there any other way (and still isn’t)…the video includes the lyrics, which are crucial.  PS aren’t I clever, using the famous photo of a child worker in the Industrial Revolution before child labor laws, as the background for my video?  PSS I realize this song, which uses a video I put on YouTube myself, comes right after “Easy Money”, another video I put on YouTube myself, but it is just coincidence.

My 54th Favorite Song of All-Time

Posted in 100 Favorite Songs with tags , , , , on June 10, 2012 by sethdellinger

is:

“The New Year” by Death Cab for Cutie

(note: I wrote this entry about 4 or 5 months ago.  Isn’t it interesting how it ties in so perfectly with my life right now??)

I not only love this song because it’s an amazing song, but for the time in my life that it evokes in my memories.  First, about the song:

It has pretty much established most of my thoughts about “new years”, as we call it in this culture, and things like resolutions…all the kinds of shit I bitch about starting around December 28th.  Like most of what Ben Gibbard writes, every word is absolutely perfect, the meaning is intensely conveyed and no word is ornamental or extra.  The pulsing, undulating chords of the music reflect the solemnity of the lyrics, and the desperate yearning of the final repitition…”there’d be no distance that could hold us back” reeks of the honestly of a man who knows the past is unreachable.

I bought the album this song is on (Transatlantisicm) a few weeks before I got hired in my current job as a manager for a restaurant company.  This was a major step up for me.  This was also shortly after I’d bought my first-ever brand-new car.  This was a banner time in my life, a life which had only recently come back from the very brink.  Musically, I was just starting to branch out into “indie” music, an area of music I knew I wanted to be a part of but hadn’t yet figured out my entry point.

So anyway, I bought this Death Cab for Cutie album right before my company sent me to Pittsburgh for two weeks for training classes.  They put us up in a hotel that was about a ten minute drive from the corporate office, so every morning, bright and early, in this brand new car and in this amazing brand new life, I would find myself driving through early-morning Pittsburgh as this album played.  “The New Year” is the first track on the CD, so I heard it often (and often had it on repeat).  It was a truly magical time, and this song takes me back there.  Also, fuck resolutions.

So this is the new year,
and i don’t feel any different.
The clanking of crystal,
explosions off in the distance.

So this is the new year
and I have no resolutions.
They’re self-assigned penance
for problems with easy solutions.

So everybody put your best suit or dress on.
Let’s make believe that we are wealthy for just this once,
lighting firecrackers off on the front lawn
as thirty dialogues bleed into one.
I wish the world was flat like the old days
and I could travel just by folding a map.
No more airplanes, or speed trains, or freeways.
There’d be no distance that could hold us back.

My YouTube videos with over 1,000 views

Posted in Snippet, Uncategorized with tags , , , , , , , , , on February 20, 2012 by sethdellinger

As I was laboriously and tediously uploading yet another pretentious video to YouTube this morning, I thought for the first time in a long time to take stock of how many folks have viewed my large and eclectic library of uploads.  Turns out, there’s not many surprises.  Most of my videos don’t get seen more than the few dozen times they get clicked on when I initially post and “advertise” them on social media.  But a select few have gained some traction and are being seen by strangers on at least a semi-regular basis.  Now, most of these “successful” videos are music-related and of interest to only the target audience.  And it’s pretty easy to get views this way.  Some of them I knew would be of use to a fan base, because I made them because I personally noticed their absence on YouTube.  But a few of these were genuine surprises.  Here they are, in ascending order:

1.  “Two-Fifty” by Chris Walla
Views:  1,021

By far my favorite song by the lead guitarist of Death Cab for Cutie’s solo work, I slapped this little video together when I noticed almost none of his solo songs were on YouTube.  If you dig it (or are curious about my photograph selection) sit tight…it just might be making an appearance soon on my 100 Songs list.

2.  “Black Friday in Erie”
Views: 
1,178

This was one of the two larger surprises for me.  But history has taught me one thing:  videos with the word “Black Friday” and a specific town in them are recipes for getting hits from searches.

3.  “Knot Comes Loose” by My Morning Jacket

Views:  1,316

I knew exactly what I was doing when I chose this song to record at this concert.  You may have guessed that I am the type of man who watches A LOT of video of his favorite bands performing live.  So I just happened to know that there was ZERO video of My Morning Jacket playing “Knot Comes Loose”, as far as I knew, anywhere on the internet.  That is because it is a very rare live song.  So when I recognized the first few chords, I started taping.  And this is still the only video of it to have surfaced, although the sound quality is regrettably sub-par (most amateur recording devices don’t like being so close to enormous speakers), I anticipate this one to keep gaining a few hundred views a month for the foreseeable future, as any YouTube search for the song live results in my video being the top return.

4.  “A Walk Across the McBride Viaduct”

Views:  1,561

This was BY FAR my biggest surprise.  I had watched the view count for awhile after originally posting it (following this blog entry…and I’ll now offer an unspecified prize for anyone who can identify what movie the quote in the song I use comes from…NO GOOGLING, we’re on the honor system here, folks), as I was aware there was no other video online of the viaduct post-closure, and it being such a hot-button topic in this city, I thought some folks might be looking for some video.  But in the weeks following it’s posting, it hovered at about 20 views, and I never looked again, until now.  Now mind you, in the YouTube universe, all these numbers are TINY, but 1.500 is a lot bigger than 20.  The viaduct pops up as headline news about once every three months, so I imagine searches for it come in spurts.

5.  “St. Peter’s Cathedral” by Death Cab For Cutie

Views:  2,667

This one was a no-brainer.  I posted it shortly after their newest album came out.  There were already plenty of posted versions of the studio track, but none had scrolling lyrics like mine does.  As per usual, I didn’t post this to try to get views or win some sort of popularity contest, it’s just the video I wanted and nobody had made it yet.  Videos like this are not any sort of “artistic endeavor”, you can slap one together in 20 minutes (I do try to make the lyric scrolling pace with the music and be visually appealing without being obnoxious, which is more than I can say for lots of the practitioners of the form.)  This one’s view count will keep climbing, pretty much forever.

6.  “Black Friday ’09, Wal-Mart, 5am”

Views:  6,348

I knew this one was huge, because I watched it take off in the few days after I first posted it.  I got about 2,000 hits that week, and gets about 2,000 hits every year now, the week or two following Black Friday.  It’s certainly not because of how awesome the video is, it’s just because a YouTube search for “Black Friday Carlisle” turns this up in the top 3 or 4 results.  And while Carlisle, PA is not metropolis, I imagine lots of people, following the big day, do searches for their specific area.  A YouTube search for “Black Friday Carlisle Wal Mart” returns my video as the #1 result.  My buddy Burke makes a nice appearance here.

Lake-Effect

Posted in Uncategorized with tags , , , , , on January 2, 2012 by sethdellinger

I took some video at the very beginning of tonight’s snow storm; most of it is in such low light conditions, it’s hard to see just how much snow is coming down and how fast. It’s a very fine snow and it’s moving 30-40mph, but my camera isn’t really built for the conditions. A lot of the time, when the camera is not facing a light source, you actually don’t see the snow, but I assure you, it is there.  And in the shots where I show my feet in the snow, remember, ten minutes before, there was NO snow at all.   Really though, I’ve just been obsessed with Death Cab For Cutie’s song “The New Year” this week and felt compelled to make SOME sort of video to it on New Year’s Day.

 

 

Monday’s Song: “What Sarah Said” by Death Cab for Cutie

Posted in Monday's Song with tags , , , , on January 17, 2011 by sethdellinger

What Sarah Said
By Death Cab for Cutie

And it came to me then,
that every plan
is a tiny prayer to Father Time,
As I stared at my shoes
in the ICU
that reeked of piss and 409.
And I rationed my breaths
as I said to myself
that I’d already taken too much today.
As each descending peak
on the LCD
took you a little farther away from me.

Amongst the vending machines
and year-old magazines
in a place where we only say goodbye,
it stung like a violent wind
that our memories depend
on a faulty camera in our minds.
But I knew that you were a truth
I would rather lose
than to have never lain beside at all.
And I looked around
at all the eyes on the ground,
as the TV entertained itself.

‘Cause there’s no comfort in the waiting room,
just nervous pacers bracing for bad news.
And then the nurse comes round
and everyone will lift their heads.
But I’m thinking of what Sarah said,
that love is watching someone die.

So who’s going to watch you die?

No more air planes, or speed trains, or freeways.

Posted in Prose, Rant/ Rave with tags , , , , on December 31, 2010 by sethdellinger

I’m gonna put my cynic hat on here and say that I just really don’t *get* what is often referred to as “New Years” (despite there only being one of them).

You may be saying to yourself something like, This is probably because you’re a recovering alcoholic and New Years is all about drinking, and I say to you that even as a drinker, I didn’t *get* New Years.  In fact, I never really understood any of the “drinking” holidays, a la St. Patty’s, Cinco de Mayo, etc.  That may be because I was drunk every day, but still.  I don’t get them.

In addition, the New Year’s Eve parties I have been to were exactly like every other party I had ever been to, begging the question, what makes this a New Year’s Eve party?  And that ball dropping in Times Square?  The same every year, and those people crammed into that cold place always look like they’re trying really hard to deny they’re bored.  And cold.

I suppose the main point here is that folks use “New Years”—which I suppose encompasses New Year’s Eve and New Year’s Day—as a marker of time’s movement, and as a way to metaphorically “wipe the slate clean” with a fresh start, as well as reflecting on the passing year.  And I suppose that any such heady material undertaken on a mass basis is probably a good thing.  But that’s just not the way I personally function.  I think the idea of a (basically) arbitrary date being used to reflect, start anew, celebrate and generally ponder the state of your life is, well…arbitrary.  I don’t know about you, but I do these things more frequently than once a year.  They happen organically, and I take keen note of them as they happen. “New beginnings” happen when…well, when things begin, not with some date.  I reflect on the passing markers of time in my life when…well, when they pass.  Reflection, introspection, and the subsequent celebrations of the positive or changes to correct the negatives are an ongoing part of my life (don’t get me started on the phony uselessness of New Years Resolutions).  I suspect that most people are like me, like I just described.  Yet we continue to pretend that turning over this new calendar is somehow a useful, important, symbolic moment for us.  And I’m sorry to sound cynical, but it just isn’t.

I do not see the need to be nudged into contemplation and celebration by a date.

(I guess I must be a tad cynical to type out such a blog, but I thought…why not actually type what I’m thinking?  I never claimed to be an over-the-top optimist.  Sometimes I’m happy, sometimes I’m sad.  As the great Walt Whitman said, “I contain multitudes.” )

Also, here is an amazing song by Death Cab For Cutie called “The New Year”, which contains both my cynical feelings about the day itself, and my feelings that life, in general, is completely amazing:

The New Year
by Death Cab For Cutie

So this is the new year,
and i don’t feel any different.
The clanking of crystal,
explosions off in the distance.

So this is the new year
and I have no resolutions.
No self-assigned penance
for problems with easy solutions.

So everybody put your best suit or dress on.
Let’s make believe that we are wealthy for just this once.
Lighting firecrackers off on the front lawn
as thirty dialogs bleed into one.

I wish the world was flat like the old days,
and I could travel just by folding a map.
No more airplanes, or speed trains, or freeways.
There’d be no distance that could hold us back.

Monday’s Song, “We Will Become Silhouettes” by The Postal Service

Posted in Monday's Song with tags , , , , , on December 27, 2010 by sethdellinger

We Will Become Silhouettes
by The Postal Service

I’ve got a cupboard with cans of food,
filtered water, and pictures of you
and I’m not coming out until this is all over.
And I’m looking through the glass
where the light bends at the cracks
and I’m screaming at the top of my lungs,
pretending the echoes belong to someone,
someone I used to know.

And we become silhouettes when our bodies finally go.

I wanted to walk through the empty streets
and feel something constant under my feet,
but all the news reports recommended that I stay indoors,
because the air outside will make
our cells divide at an alarming rate
until our shells simply cannot hold
all our insides in
and that’s when we’ll explode
(and it won’t be a pretty sight).

And we’ll become silhouettes when our bodies finally go.

My 100 Favorite Albums, in Order

Posted in Rant/ Rave with tags , , , , , , , , , , , , , , , , , , , , , on July 25, 2010 by sethdellinger

Some of you may remember, about a year ago I made a list of my 100 favorite bands in order (that post is here).  Well, here’s a list of my 100 favorite albums!  This list follows (roughly) the same rules and principles as the bands list.  To re-cap those principles:

1.  This is a list of my favorites.  It is not meant to be a definitive “best” list, hence there are no right or wrong entries and you can’t exactly argue with the list, though disagreements are encouraged.

2.  How I made my choices: I pretended I was on a desert island with all 100 discs, then imagined I could only have 99.  Which would I get rid of?  And so on, down the line.  This method creates interesing and unexpected results.

3.  Unlike the bands post, the albums list is not limited to only bands.  However, I did not allow live albums, compilations, or other such anomalies.

4. Much like the bands list, it is clear to me that this list must be in a constant state of flux; this is far from my “permanent” list of favorite albums.  I can’t encourage you enough to do this yourself periodically, it really does reveal sea changes and trends in your own personal tastes.  Without further ado, here is the list:

100. Rage Against the Machine, Evil Empire
99.  Woodpigeon, Treasury Library Canada
98.  Do Make Say Think, You, You’re a History in Rust
97.  Death Cab for Cutie, We’ve Got the Facts and We’re Voting Yes
96.  Nirvana, Nevermind
95.  Drive-By Truckers, The Big To-Do
94.  Working For a Nuclear-Free City, Businessmen & Ghosts
93.  Radiohead, In Rainbows
92.  Seven Mary Three, day&nightdriving
91.  Cold War Kids, Loyalty to Loyalty
90.  Phish, Farmhouse
89.  Pink Floyd, Wish You Were Here
88.  Kings of Leon, Because of the Times
87.  The Decemberists, Picaresque
86.  The Ghost is Dancing, The Darkest Spark
85.  Pearl Jam, Binaural
84.  Seven Mary Three, The Economy of Sound
83.  My Morning Jacket, It Still Moves
82.  Barenaked Ladies, Gordon
81.  Pearl Jam, Yield
80.  The Frames, Fitzcarraldo
79.  Death Cab for Cutie, Something About Airplanes
78.  Nick Cave and the Bad Seeds, Nocturama
77.  Radiohead, OK Computer
76.  The Presidents of the United States of America, The Presidents of the United States of America
75.  Neil Young, Everybody Knows This is Nowhere
74.  Pearl Jam, Riot Act
73.  Explosions in the Sky, All of a Sudden I Miss Everyone
72.  Modest Mouse, Good News For People Who Love Bad News
71.  Tracy Chapman, Tracy Chapman
70.  Nirvana, In Utero
69.  The Cribs, Ignore the Ignorant
68.  Sven Gali, Inwire
67.  Fire on Fire, The Orchard
66.  The National, High Violet
65.  The Pixies, Surfer Rosa
64.  Mogwai, Come On Die Young
63.  Emily Wells, Dirty
62.  Pelican, The Fire in Our Throats Will Beckon the Thaw
61.  Radiohead, Hail to the Thief
60.  Phish, Billy Breathes
59.  Mooney Suzuki, Have Mercy
58.  TV on the Radio, Dear Science
57.  The Arcade Fire, Neon Bible
56.  We Are Scientists, Brain Thrust Mastery
55.  LIVE, Mental Jewelry
54.  Primitive Radio Gods, Rocket
53.  Indigo Girls, Swamp Ophelia
52.  Godspeed You, Black Emperor!, F#A#
51.  The Beatles, Revolver
50.  Hey Rosetta!, Plan Your Escape
49.  Seven Mary Three, Orange Ave.
48.  Pearl Jam, Pearl Jam (The Avocado Album)
47.  Grinderman, Grinderman
46.  My Morning Jacket, Evil Urges
45.  Editors, In This Light and on This Evening
44.  Bush, Sixteen Stone
43.  The Postal Service, Give Up
42.  The Cape May, Glass Mountain Roads
41.  Pearl Jam, Ten
40.  Rage Against the Machine, Rage Against the Machine
39.  Dave Matthews Band, Under the Table and Dreaming
38.  Yeasayer, Odd Blood
37.  Eddie Vedder, Into the Wild Soundtrack
36.  Pink Floyd, Meddle
35.  Stars, In Our Bedroom After the war
34.  Stone Temple Pilots, Purple
33.  Death Cab for Cutie, Narrow Stairs
32.  The Beatles, Sgt. Pepper’s Lonely Hearts Club
31.  Nick Cave and the Bad Seeds, The Lyre of Orpheus
30.  Silversun Pickups, Carnavas
29.  Neil Young, Mirrorball
28.  Kings of Leon, Only by the Night
27.  The National, The Boxer
26.  Chris Walla, Field Manual
25.  Pearl Jam, Vitalogy
24.  The Cribs, Men’s Needs, Women’s Need’s, Whatever
23.  Cold War Kids, Robbers & Cowards
22.  My Morning Jacket, Z
21.  Phish, Rift
20.  Pink Floyd, The Wall
19.  Explosions in the Sky, The Earth is Not a Cold, Dead Place
18.  Modest Mouse, We Were Dead Before the Ship Even Sank
17.  Death Cab for Cutie, Transatlanticism
16.  The Airborne Toxic Event, The Airborne Toxic Event
15.  LIVE, Throwing Copper
14.  Seven Mary Three, American Standard
13.  Radiohead, Kid A
12.  The Decemberists, The Crane Wife
11.  Godspeed You, Black Emperor!, Raise Yr Skinny Fists Like Antennae to Heaven
10.  The Arcade Fire, Funeral
9.   The Beatles, Abbey Road
8.  Pearl Jam, Vs.
7.  LIVE, Secret Samadhi
6.  Death Cab for Cutie, Plans
5.  Explosions in the Sky, Those Who Tell the Truth Shall Die, Those Who Tell the Truth Shall Live Forever
4.  The Beatles, The Beatles (The White Album)
3.  Pearl Jam, No Code
2.  Seven Mary Three, RockCrown
1.  Hey Rosetta!, Into Your Lungs (and Around in Your Heart and on Through Your Blood)