What I Learned After Begging My Mother For Extra Allowance Money So I Could Buy a Clock Radio

Posted in Uncategorized with tags on July 7, 2023 by sethdellinger

I was in love with a girl. 
And I can say this with absolute certainty, 
as I was in eighth grade, 
and eighth graders know what love is 
 
in ways that you all grow out of 
with your big feet, bad skin, left at the pizza place and walking four miles so you don’t have to call someone for a ride and explain, 
your first kisses, shocking tongue in mouth, cheeks turned rosy 
“experience”. 

I didn’t need experience. 
I had Saturday afternoons with MTV. 
I had heart-in-fist dedications on Casey Kasem, 
I had Love Boat reruns still on network television,  
 

so screw your coward jaded blissful knees-quaking “love,” 
I was in love with a girl 

and she wouldn’t call me back. 
I had tried everything. 

And by “everything,” I mean 
every thing: I tried funny, 
awkward, 
self-deprecating, 
I tried brainy 
I tried stories in class about Santa being hit by an airplane 
and super-weird honesty, 
everything. 


was in love 
with a girl 
and the months were winding that love so tight 
it could slip and fly across the classroom and 
crack 
against the blackboard, I 
 
was in love with a girl 
and finally at the point 
(while sitting in the top bed of my bunk 
beds which I had all to myself) 
of admitting love 
was not enough, 
 
that love! 
was not! 
enough! 
 
to bend this universe as it needed bent. 
I was in love with a girl and sighed 
and turned on my little clock radio 
to WINK 104 
and they said 
“Here’s a great song 
by ELO,” 
 
and there’s Jeff Lynne telling me “Hold on tight 
to your dreams” 
even adding emphasis by rephrasing it in French 
“Accroche-toi a ton reve,” 
and damn, Universe, 
you had me going, 
I almost gave up on love. 
On love! 

In the hindsight of adulthood, 
of thirtyfive years unlearning what I learned that day, 
of good dates, bad dates, eyelashes, folded maps, 
yelling “What the hell do you want from me?!” loud enough 
to be heard four apartments down, 
heart-shaped cards, roses and rings, 
fourteen small teddy bears (one for each 
month) 
poetry that said way too much about the goddamned moon, 
the unruly surprise of warm breath in the ear, 
I’ve learned that the Electric 
Light  
Orchestra 

maybe could have been a little more specific. 
That “Accroche-toi a ton reve,” I never did look that up, 
it might only mean: “Don’t eat croutons”. 

DJs are not (were not) waiting like archangels 
to set the cosmos off its turntable wobble; 
they’re people paid by the hour sitting in 
tiny airless rooms 
who put needles onto grooves 
and let it 
all 
spin. 

I am the Tornado

Posted in real life, Uncategorized with tags , , , , on May 16, 2018 by sethdellinger
So, I think, while I was in my car yesterday, a tornado either went directly over me, or I was right on the edge of it. The experience was so bizarre and out of the ordinary, I’m going to post my recollection of it here while it is still vivid.

I left work half an hour early because my phone was blowing up with notifications that there were going to be negative happenings, atmospherically, by our house. I was hoping to be able to beat it home. Once I got on the highway my folly was obvious–very dark and horizon-filling clouds directly in the way of the road, but still I thought, I might beat it, and if things get rough, I’ll just pull over and let it pass.

Most of the trip home (my afternoon commute is Harrisburg to Boiling Springs via 81) was ominous but harmless–wind blowing the leaves from tress, occasional drops of rain–but once I neared Carlisle the rain and wind started in earnest, nearly blowing me into the other lane of traffic. I got off at the first exit I could (Carlisle Pike) and set about taking the longer but more cautious way home via back roads.

Most of the way into Boiling Springs was very slow-going but not disastrous. Extremely heavy winds and rain–probably top five for ferocity for what I’ve driven in in my lifetime–but still just a really crazy storm. But somewhere around Karns (for those from the area, this is Forge Road) things became otherworldly. Suddenly the wind came so hard you could SEE it. That is the only way I can describe it–it was the only way I perceived it– it seemed to not be the rain that was visible, but the wind itself. Air. My car was no longer blowing laterally across the road but was lifting, dipping at the driver’s side and rising on the passenger’s side. Limbs from trees blew across the road in front of me, detached from their homes, like twigs. What I at first thought were scores of tiny sofas (?!) were overturned trash cans, which had been set out for trash day, hurtling across the road. Luckily, this onslaught lasted only two or three minutes. It let up quickly, and I was close to home. I thought I was in the clear.

Now on Park Drive (slightly past the Duck Pond and aimed toward Mount Holly) I suddenly became engulfed in a pocket of air that seemed to posses a malign intelligence; the way I keep thinking of it was like a swirling white curtain. The rain was not hitting my windshield, as it was coming completely sideways; all the rain pelted my passenger windows. Out my windshield all I could see was the air, moving. The sound inside the car became like a loud hum, somewhere between television static and a plane taking off. I became aware that I was stopped in a line of traffic now, but I only knew this vaguely from the ideas of multiple brake lights in front of me. I could not make out details through the swirling air. Now the car started to lift again, dipping on my side and rising on the passenger side. It’s hard to say how much it did this dipping. It felt like a lot, but I suspect in that situation, a little is a lot. That’s when the hail started.

They were not huge (like you hear on the news, “golf ball” or “lemon sized” hail). They looked like the size of BBs, but the sound they made was dreadful: it sounded like gunshots hitting my car. Part of me was still worried about the monetary aspects of hail damage, even though I was in a swirling netherworld, the fact was that I JUST got my car back from the shop after a whole month. Another part of me was somehow suddenly aware that all of these weather factors together were not good–that in fact I was probably experiencing something very, very dangerous.

You cannot imagine how alarmingly loud it was.

That’s when I noticed I was just a few yards from the Dickinson College Farm. I won’t bother explaining what this is if you don’t know, but what you need to know is, from this spot on the road, it is a large farmhouse very close to the road. With an overhang.

Why none of the cars in front of me thought of this, I don’t know, but I immediately pulled my car into their parking lot and under the overhang. Sweet relief! The driver’s side of my car wasn’t covered and was still being pelted, but removing half of the noise and worry was a great relief. That’s when it got really dreamlike, though: I looked up and saw, standing under the overhang, talking on a cell phone, an old friend of mine. A friend of mine who I haven’t been in contact with for four or five years, but last I knew, he had no connection to Boiling Springs or Dickinson Farm. Seeing him standing there, under that overhang, amidst the boiling air, was no more strange than if he’d popped out of my belly button and asked for a seltzer. I was transfixed. I turned my ignition off and sat there staring at him. Finally he did look at me: he did not recognize me. I can only imagine he was having a strange day, too.

It was then I saw what he must have been on the phone about, and why the traffic had totally stopped: an entire tree was down and blocking all of Park Road.

Things stayed this way for at least five minutes. The air just a cauldron, tiny hail hitting everything like tiny bullets, my old friend just feet away from me in the middle of it all, and him never knowing it, and me never knowing how or why he got there, and eventually having a realization that maybe being under the overhang was more dangerous than being out in the wind. The air was full of flying things: one couldn’t tell what they were, but probably mostly sticks. Even now, after typing all this out, it is not possible to convey the true other-worldiness of it. It was terrifying (mayhaps even traumatizing) but I can’t remember ever having such a sudden experience where I was so thoroughly removed from the standard plane of existence.

Finally it all seemed to stop at once. Old friend went inside the barn and all of us who were stopped at the tree did 8-point turns and took the long way home, to discover power out and a new set of decidedly modern problems.

My Favorite Music of 2017

Posted in Rant/ Rave with tags , , , , , , , , , , , , on December 10, 2017 by sethdellinger

Well it is that time again, time for my year-end review of my favorite music! These roll around so fast, it really is a marker for me for how fast time goes!  This year, however, since I am very crunched for free time, it will be a very abbreviated entry, but trust me that I have thought about this long and hard.  I start thinking about my year-end music list sometime around March, and throughout the year roughly 6 or 7 albums at one point in time are poised to take my #1 spot, so I am always thinking about it, but the entries will be short and sweet this year. (If you are interested in seeing how the lists of previous years went, you can see them here: 2016  , 2015 , 2014  , 2013  , 2012  , 2011  , 2010 , 2009  ).  I would also like to say up front that Neil Young recently released an album which unfortunately I have not been able to listen to as of this writing.  Also if you are used to getting a year-end mix disc from me, that will still be coming, they are going out in a few days.  If you don’t get these discs but would like to get them, send me a message! I love sending them. So without further ado, the list:

But first! haha. Some honorable mentions that didn’t make the top ten.  Honorable mentions:

Fleet Foxes, Crack Up, Willis Earl Beal, Turn, The Shins, Heartworms, Tori Amos, Native Invader, St. Vincent,  Masseduction, Bryce Dessner, Sufjan Stevens, Nico Muhly, James McCallister, Plantarium, El Ten Eleven, Unusable Love, Iron and Wine, Beast Epic, and a major shout out to Sufjan Stevens’ live album of Carrie and Lowell songs, which as a live album was released this year, but the songs were from a few years ago, but it was by far one of my favorite things this year.

Now, the top ten:

10.  Grizzly Bear, “Painted Ruins”

Grizzly finally, finally live up to the blissed-out art rock potential the showed on their early releases.

9.  The National, “Sleep Well Beast”

I love the National, and I love this album, but I was expecting it to vie for the top spot, but instead I only love it and am not obsessed with it.  I want to see them evolve more.

8.  Run the Jewels, “Run the Jewels 3”

Ok so this albums was released in December 2016 but the PHYSICAL copies weren’t released until 2017, so I’m backdooring it.  Hey, if you aren’t listening to RTJ, you literally don’t know what’s going on.

7.  Father John Misty, “Pure Comedy”

A few of the songs on “Pure Comedy” are so good they’re practically transcendent; on the strength of those 4-6 songs, this album deserve all the accolades it is getting. Next time, though, we need less fluff.

6.  Godspeed You! Black Emperor, “Luciferian Towers”

End-times post-rock for the new world; instrumental dirge music that manages to be hyper political.  Godspeed is never less than earnestly terrifying, and they haven’t lose their edge.

5.  Mogwai, “Every Country’s Sun”

It’s a rare year for me when out of the two post rock bands on my list, anyone beats Godspeed, but Mogwai’s new album is a leap forward for them (which is saying something, since they have been around for like 20 years).  It is tender, and brutal, and irreverent.

4.  Real Estate, “In Mind”

This band’s entire aesthetic is about being understated and melodic.  Here they’ve cracked the code for how to do that and be dramatic, too.  Each song crackles.  Your nerves feel this album.

3. Prophets of Rage, “Prophets of Rage”

This album has taken a lot of flack, and yes, it is far from perfect.  But the bright spots–“Who Owns Who”, “Living on the 110”, “Unfuck the World”, “Strength in Numbers”, aming a few others–are so glorious (especially after repeat listens) that the downsides of this project should get a pass.  Could they have done better? Sure.  But who else is even doing anything like this? It truly is a soundtrack for the revolution.  Please give it some spins.

2.  The War on Drugs, “A Deeper Understanding”

In all my years making year-end music lists, I’ve never had a harder time deciding between two albums for the top spot.  This album is astonishing.  Rather than try to do it justice, I want to quote from a review of this album in Pitchfork which I found not only perfectly encapsulated my thoughts on the album, but was itself an amazing piece of writing:

“The band’s lyricist Adam Granduciel doesn’t create fully-drawn characters (other people are phantoms or wishes or memories in his lyrics) but there’s always a desire for connection, and he lets in just enough light to make it seem possible. The album’s first single was the epic 11-minute travelogue “Thinking of a Place,” with a glowing synth swell reminiscent of Manuel Göttsching’s E2-E4 and a patient tempo that suggests a slow walk through the woods in the dark, the kind where you keep your hands out in front of you, feeling for branches. It turned out to be an appropriate introduction to this record because “thinking of a place”—somewhere where you can lose yourself, get out of your own head, somewhere else—is what the whole record is ultimately about. A different songwriter—someone like Neil Young, say—might sketch out what this place looks like, tell us about who we might find there. But Granduciel can’t, or doesn’t want to. And that lack of articulation, that inability to identify the source of pain and the path to redemption, becomes another of the record’s themes. But all that happens beneath the surface, almost subliminally; it’s the impossible sweep and grandeur of the music that tells the real story, of how a rush of sound can take us somewhere we can’t explain.”

I mean, yes.

1.  Arcade Fire, “Everything Now”

This album has taken a lot of flack in the press, mostly because (I think) it’s not what anyone expected.  It is markedly different than their previous albums, much shorter, and veers into pop sound.  But the fact is, it is just so good.  There was a point where the CD stayed in my car stereo for over three straight weeks.  The songs are catchy but artistically sound, the theme of the album well-thought out, important, and brilliantly executed.  Yes, there are two clunkers, but the rest of the songs are absolute solid gold.  Time’s going to bear out that “Everything Now” is, in fact, a rock classic.

 

The Belly That is Always There

Posted in real life with tags , , on December 9, 2017 by sethdellinger

It’s there when I wake up.  It’s there when I get in the car.  It’s there when I’m playing with Boy, or watching TV, or running on the treadmill. It’s there when I’m 190 pounds and when I’m 140 pounds.  It’s always there.

Over the years, I have certainly made no secret of my struggle with weight, sometimes with great success, and sometimes with very little success. I also come and go with being extremely into fitness, usually getting extremely fit and then backsliding for a year or so.  Although this time around, I really do have a feeling that my love of fitness is here to stay.  If I can stop getting injured.

Right now, I’m at a pretty good size.  Not quite at my goal weight, but awfully close, and my double chin, love handles, and man boobs are all-but totally gone.  All that being said, something still isn’t quite right. Something is never quite right. When I walk past a large glass window, I can’t help but scrutinize myself.  I run my hands down my body, and watch as they bow out a little bit at my midsection. The belly. The tummy. The stomach. Whatever you want to call it, the gut. I cannot stop thinking about it. And no matter how big or how small I have been, I haven’t stopped thinking about it for probably eight years.

Granted, when I’m at my bigger sizes, I don’t obsess about my belly, because I’m generally sorrowful for the whole damn thing that’s happening to me when I’m fat. But when I’m smaller, the problem comes more into focus. I have a little tiny belly, and no matter how much weight I lose, it just seems to be there. Even at my absolute smallest, if I took my shirt off, there would be a little belly there, and even though the rest of the world might not even know it is there, it would be one of the first things I would think about upon waking up.  I would run my hands down my chest, making sure there was no “rise”, that the belly sunk down immediately following my ribcage.

I must think about my belly a hundred times a day, if not more. Every day. Every time I pass a mirror, I scrutinize myself. First I make sure that my jowls look OK. How is my chin ? I like to see my full jaw line. Then I will look at my pecs. Do I have visible man boobs?  But ultimately it comes down to the gut. I look at it from profile, I look at it straight on, I see how successfully I can suck it in and have no gut. If I can successfully suck it in and have no gut, that means I’m always close to where I need to be. A lot of times, I find myself looking at the midsections of other men, in comparison. When I see a very slender man walk past me, a man whose profile is sleek and perfectly straight from head to toe,  I’ve become intensely envious. Likewise, when I see men with a gut larger than mine, I compare myself, and feel better about myself. Sometimes I notice that those men seem fine, they don’t seem to worry about it, and they might even seem attractive. Sometimes they wear shirts that don’t even hide their gut! That gives me hope. Men can walk through this world with little tiny guts, and the planet doesn’t stop spinning. They still are respected, admired, sometimes attractive men. In the back of my brain, however, I can’t help but think I’m not quite the perfect version of myself as long as I have this gut. Granted, I am a confident, capable, overall ludicrously happy man, but inside, there will be a constant nagging as long as that belly is there.

It turns out, there is a term for what’s happening to me. It’s called body dysmorphia syndrome, and I’m sorry if you’re one of those people who gets all riled up whenever people give names to what is ailing them, but having read about this a couple times, it perfectly describes what I’m going through. Now, BDS does come in many different levels of severity. I think we’ve all heard of the super skinny people, anorexics you were upon their deathbed, weighing 70 pounds, yet still think they are fat. That is a version of this. There are people who literally have phantom ideas of the way they look, can’t reconcile what they see in the mirror with reality. But a less severe version of it does exist. I do in fact have a tummy, I am not inventing that, but my brain blows up the significance and severity of it.  In a small fashion, I also don’t see it quite properly.  I see the real version of my belly, but my brain won’t let me put it into proper context.

I also try to rationalize my belly hatred by saying it is only because I am short that I hate it so much–that I think the gut looks ridiculous on a short man; big men can get away with carrying around fat because it (somehow) seems to denote masculinity in our culture.  I do not think this is entirely untrue.  If I was a full foot taller, having a belly might seem more proportional and aesthetically proper.  But on a 5’2″ frame, to me, it looks as glaring as a road flare.

So, why post a public blog about such an intensely personal issue?  Well, part of it is therapy for me.  Every method I have tried to calm my obsession, short of seeking professional help, has not stopped the nagging in my brain.  Writing about things ALWAYS helps, and often just journaling in a private journal is enough, but for me, putting things out to the world has always been therapeutic.  Something about letting the light into places most people usually don’t–you’d be surprised what a little light can do.  And also, I want to continue to highlight the fact that body issues are not exclusive to women in our culture.  Yes, women have it much harder than men when it comes to cultural norms making them feel shamed or pressured in a multitude of ways regarding their body, but please don’t assume that the men in your life are just always ok with how they look.  Be kind to everybody about their body and their appearance. But you don’t have to be kind to them about everything.  You can bitch at people for not using a turn signal or talking in a movie theater.

Just sayin’.

 

 

 

My Near-Death Experience

Posted in real life, Uncategorized with tags , , on November 22, 2017 by sethdellinger

I have a habit of sometimes writing about things on this blog that some people feel veer a little too uncomfortably into the personal; it’s always just been a hallmark of my writing and this blog’s tone, so why not hit y’all with the fact that I just had a colonoscopy?

I did.  Just a few hours ago, in fact.  And let me end the suspense right here at the beginning: I’m fine (or relatively so). However, I’ve spent the last three weeks in an absolute hell of worry, talking myself into near-certainty that I had advanced colon cancer.

I don’t. I very probably have Ulcerative Colitis, and a mild form of it, at that. And I’m usually very good at not talking myself into thinking I’m dying.  I’m not a symptom Googler, I don’t scour WedMD for every little thing that happens to me, but (without giving you uncomfortable details) about a month ago, the things that started happening to me were very troubling and all-but demanded Googling. And anyone who has ever Googled a symptom can tell you: it is not a good idea.

So yeah, I spent the last few weeks planning out my funeral.  I tried so, so hard to not let my mind go there, but I just couldn’t stop it.  All my love and deepest appreciation to my partner Karla for putting up with my paranoia, but also assuring me that even if it WAS the “big C”, well, we’d just deal with it.

So today is one of those days in your life when the sigh of relief is huge.  I can start thinking like a normal person again, pondering the future, and, most importantly, getting back into the gym :)

As a side note, let me tell you, if you have not had a colonoscopy, you’ll want to avoid it.  The procedure itself isn’t so bad (they put you to sleep) but the prep…I had to go something like 36 hours without solid food (this was basically the worst it could be as my procedure was at 3:30pm, is it had been at 8am it would have been much easier) and the…shall we say “cleansing process” is really mind-blowing.  Just.  You don’t want to do it.

So I’m in a special place tonight.  Glowing with a kind of rebirth and with a marvelously full belly.  And plans to get back into the gym soon.  I had plans to write a much longer, more substantive breakdown of the experience, but I am, of course, quite fatigued.  It’s been an interesting day.

There Are Some Remedies Worse Than the Disease

Posted in Concert/ Events, Uncategorized with tags , , , , on November 13, 2017 by sethdellinger

Wow, what a night with This Will Destroy You! I’d seen them once before, just a few years ago, and the experience was mostly the same, but they had more songs from their most recent album (which are somewhat different from the rest of their canon and add a nice flair to their setlist).  They aren’t a theatrical or energetic live show, but if you are invested in their music, it is very, VERY emotional.  I’ve included tonight’s setlist, every song is a link to the studio version of that song for any people who are interested in this band.  And the concert might seem short, but bear in mind the live versions of some of these songs go past the 15 minute mark:

 

  1.  The Mighty Rio Grand
  2. Dustism
  3. New Topia
  4. They Move on Tracks of Never-Ending Light
  5. There Are Some Remedies Worse Than the Disease
  6. Serpent Mound
  7. A Three-Legged Work Horse
  8. Black Dunes
  9. Brutalism & The Worship of the Machine
  10. Threads

Encore Break

  1. Glass Realms
  2. Burial on the Presidio Banks
  3. Quiet

 

This Will Destroy You

Posted in Concert/ Events with tags , , , , , on November 12, 2017 by sethdellinger

I could not be more excited to see This Will Destroy You tomorrow right here in Harrisburg! Yes, this is a band with a somewhat annoying name (until you get used to it and actually love the name) but they have gradually, over the past few years, become one of the more important bands to me in my life.

This Will Destroy You (TWDY) is what is known as a post rock band, although that term, post-rock, can be argued about at length exactly what it means or what qualifies.  The commonly accepted definition is a group of people that plays strictly instrumental rock music, typically long songs, 10 minutes or longer, with multiple sections, no refrain or chorus musically, and an intense quiet/loud dynamic, although any of these elements can be changed, and the fundamental post-rock-ness remains.

Anyway, I began to love this band about 4 years ago, right before Karla and I got together. I had heard their name here and there as I was making me my way down my post rock journey, and had just started listening to their first album when Karla and I got together. I was still living in Philadelphia and she was living in Harrisburg, and she would come to see me about every two weekends. One weekend, TWDY was playing a show in Philly, and she was coming to see me that day, but she wasn’t going to be getting in until late at night. So I left her my door key, and I went to the concert. I remember feeling amazed at the concert, listening to this music that meant so much to me, that was so intense and so profound, knowing that the woman who I already knew I was going to be with for the rest of my life was laying in my bed back in my Philadelphia apartment. Which by the way I was going to ride my bike to after the concert; I was so hip. I felt so amazing, perhaps, the most amazing I’ve ever felt in my life. When I got home that night, I slid into bed with her and woke her up and talked to her about the show, then as she fell back asleep, I put their self titled album on the stereo quietly, and I drifted off to the sounds of Burial on the Presidio Banks.

My relationship with the band has only deepened over the past few years since I moved back to central Pennsylvania. I have acquired a jewel of a collection of their vinyl albums, including the centerpiece of the my post rock collection, their “Live from Reykjavik” on three vinyl records. In addition, the very first movie that Karla and I ever saw in a theater was “Room”, in which their song  The Mighty Rio Grande is featured during what is arguably the turning point and the most intense part of the movie. See below:

 

It is arguable that I put on this band’s music more often than any others, even though at this point I still would not classify them as my actual favorite band, but it is the perfect mood music, when I’m feeling a little down, when I feel like I need inspiration, when I’m reminiscing, when I’m writing. This band’s music runs through the fabric of my life almost like no other band, and somehow, tomorrow night, they’re playing a show in Harrisburg!

My favorite song of theirs is this one, A Three-Legged Work Horse:

Feels Like Fire, Isn’t Fire

Posted in Prose with tags , , on October 16, 2017 by sethdellinger

I was born and I’ll die.  This is shit you already know.  All of this—everything after this that I’ve written—is shit you all already know.  So, why bother?  Gotta do something, right?  Gotta do something. Mostly I think life is grand but sometimes I get melancholy.  I think it’s probably good to get melancholy sometimes, it sort of flushes your system out, presses some sort of existential reset button. I used to have a dog but he died recently.  One day he was there and the next day he wasn’t.  We paid a man in a white coat to give him drugs that made him die.  It was awful. I say again: it was awful.  Then we drove him into the country and buried him in a hole in the ground.  At night we used let our dog—Benji– out into the backyard. It wasn’t a very large backyard, but he stayed out there for as long as he could. He’d stay out there for hours if you let him. It looked like he was eating dirt but he was not eating during periods; he pulled at the ground with his paws, then flicked his tongue at it, again and again and again. I’m not sure what he was getting in there, but he was getting something. Some itty-bitty creature that was minding its own business. And probably scared the shit out of them and then killed them. Meanwhile Benji would have run away and never came back probably, if I opened the garage door and let him out. He’d been with us for years and was a member of the family, but still we held him hostage. In order for him to walk around the neighborhood he had to be put on a leash, dragged along behind us when he wasn’t not moving fast enough. What is all this? What’s going on here? Who are these animals, what are these critters, what are these lights blinking in the sky? It seems that everything is so far away from everything else. The things that are really close to you, like that glass on the kitchen counter, the magazine on the coffee table, are such a vanishingly small percentage of all the things in the universe, that technically everything in the universe is very far away from you. So far away from you you couldn’t even imagine it, and if you could imagine it, it would terrify you directly to death. Everything is far away from you and has no idea about you, no idea but your dog in the backyard eating moles or slugs buried underneath the dirt. Here on Earth there are immense caves, caverns deep beyond imagining, miles below the Earth’s surface, right now, as you read this, engulfed in a darkness beyond imagining, little tributaries or streams or even gushing rivers bounding through large hollow openings, intense chambers, drilling though soft limestone, they are there right now, incredibly far away from you. They must, despite their static nature, have some clue of themselves, some sense of awareness, an idea of their singularity. The timelessness, the long drawn-out affair of this plane, is it within them?  They don’t know anything about you though.  Somewhere a fifty-year-old newspaper deliveryman wakes up in the dead of night to put the papers in the bags, look at his new delivery list.  He gets in the car without a sound.  Rough tattooed men working in sewers for great pay light cigarettes.  A fourteen year old girl plays a piano in a suburban house all by herself.  This happens all the time.  Someone stands at the edge of a bridge, looking down, wondering what it would feel like, what it would look like, to leap, to soar, to fall, to end, but they don’t.  They don’t jump.  Elementary school kids stop their bikes in front of soda machines.  Other kids are out past curfew.  The professor imagines sleeping with the student, then on his way home, buys a diet soda at the gas station and pays in exact change.  Quiet dirgelike music plays in darkened living rooms, shades drawn, incense, incense.  Alleverywhere all over the world this is happening, so far from everything else.  The geese are eating the flowers, and why not.  The bills come in the house and flop down on the table. Yesterday I left the gas cap hang open on my car after I filled my tank, what a fool am I! Cosmic tomfoolery! The restauranteur arrives in their cold kitchen, turns the knobs on the flat grill, the pilot clicks, the gas whirrs.  Somewhere, lathes are expertly operated.  Sirens wail with someone behind a distant wheel.  Ships rise and fall in the bay.  The boy is made to mow the grass, he sweats.  A woman is flying an airplane, looks down, she sees a forest, she wishes she was in those trees, smelling it, smelling it all.  When I was young I used to have nightmares. They would repeat themselves, but they weren’t always the same, necessarily. There wasn’t anything inherently scary about these nightmares. In one, it would be me and strange people that I didn’t know, working feverishly to build a spaceship to win some sort of contest. The spaceships that we built were massive structures, disc-like in shape in most of my memories, and we would get up on scaffolding, pouring the cement to make them. That is about all I remember, except that somehow, also, this contest was accompanied by a constant persistent dread and sadness. I would wake up sweatier than you can imagine, lingering in the depth of my little kid’s psyche, not knowing why a dream about building a spaceship should be so sad. I would beckon my parents for what must be their superior insight to come but of course they could tell me nothing. Who could? Who could possibly understand such a thing? Nobody. Nobody could understand such a thing. Everything about us is a mystery, everything about the world around us is a mystery. Time marches on but it doesn’t. Of course time doesn’t march, the smartest people in the world can barely even accurately define time.  Everything lasts forever but it’s over in an instant. Everything is to be celebrated and joyous but ultimately is flat, only dreadfully horrifyingly sad.  Twenty years (or so) ago I thought I was going to die.  I was relentlessly addicted to alcohol and life was a blurred mess of agony, with an oddly high amount of joy thrown in for good measure. So many forgotten nights, so much haze. Some nights, though, I do remember.  Like a night a bunch of us drove to The Duck Pond.  The Duck Pond, the actual name of which is Children’s Lake, is a shallow, man-made lake in the scenic town of Boiling Springs.  It is about fifty feet across, and perhaps four-hundred feet long.  At its deepest point, it is perhaps five feet deep.  Large, multi-colored, boulder-sized rocks line its bottom.  It attracts a wide array of wildlife: ducks, geese, swans, turtles, beavers.  There are manicured walkways all the way around it, red park benches at regular intervals, and little vending machines that dispense corn, in case you may want to feed the ducks.  You are not supposed to go there at night, although I often have.  As my friends and I pull into the gravel parking lot, I make myself a fresh drink in the Super-Size McDonalds cup I always seem to have with me.  Someone retrieves a few beers from the trunk.  We all make sure we have our cigarettes.  We set off, to walk around the Duck Pond.  At night, you can hear the ducks, the geese, out on the water, but you can’t see them.  They aren’t very active at night, but every now and then, you hear a splash, the flap of a wing against the heavy air, a short quick quack.  It is melancholy in that worst way: dreary foreboding.  There is a place where the path kind of ends, and you are left to walk through grass for a bit, and under the canopy of some Willows.  In the sunshine, this part of the lake is the most beautiful.  At night, its majesty is lost.  You can feel the grass, and perhaps the spray of the dew against your shins, but the Willows are lost in the night.  The copse has disappeared.  If you were standing at this spot during the day, you would see that a narrow cement platform has been constructed, extending about fifteen feet into the lake.  This is like a small concrete dock, which serve as a place for the birds to hang out without being in direct contact with human passers-by.  During the day, this concrete dock is covered by birds; squaking, flapping, quacking birds.  During the night, it is abandoned, and is covered only in bird shit.  But it is truly covered in bird shit, like some foul Pollock.  As a group, we stop here.  We are mostly silent.  We are smoking, drinking, thinking.  I start to take my pants off.  Someone asks me, “What are you doing?”  “I’m going to run down that cement dock and jump in.”  They try to tell me not to.  They warn me that the water is very shallow here, and that the concrete dock is awash in bird shit.  I wave off their warnings.  Have these guys stopped wanting to see how far they can go?  I take off my shoes, my socks, my pants, my underwear.  I’m a naked man at the Duck Pond.  The guys have warned me, so they are no longer worried.  They are watching, smiling, ready to laugh and tell me they told me so.  I take a long sip of my drink.  I start running, down through the grass and then suddenly my feet hit concrete.  It is terribly slippery, and even while I am running, I can feel the bird shit sticking to my heels, squishing between my toes.  It is a gross feeling.  In this light, it’s not easy to see where the platform ends.  Just in time, I realize I can see the moon’s reflection in the water; I use this as a guide.  At the end of the platform, I jump hard and high, as if from a diving board.  I pull my legs up under my ass and clasp my hands under my shins: the cannonball position.  And I freeze there; I hover.  Time seemingly stands still.  See me from the back: my shaggy, rarely groomed brown hair, my pimpled back, a bit of flabby belly spilling over into view, my two half-moon ghost-white butt cheeks, and directly below that, the soles of my feet.  And in front of me, a nearly-black matte of stars, tree outlines and moony water.  Now, rotate around me, as if you were a movie camera.  Stop when you are beside me, at my profile.  My mouth, wide like Pac-Man, my ample gut, spilling forth like a sack of oatmeal, the curve of my haunches, my arms flung below me, seeming to hold me in place, to levitate me.  And behind me, a nearly-black matte of stars, tree outlines and moony water.  Now, rotate around me further.  Stop when you are in front of me.  See that look on my face?  That excruciating yawp of desperate living, desperate to feel these moony waters; see that fat, oatmealy belly, my hairy, caveman chest, nipples erect by the night wind, the pale fronts of my wobbly knees.  Now look behind me: look at those guys standing there, their faces frozen in various forms of laughter, disbelief, worry, apathy.  Look at those guys!  Oh, they are probably worried about so many things; I am sure they are worried that I am about to hurt myself.  Also, looking at the set of their mouths and the glint in their eyes, I’m willing to wager they’re worried about drowning in a ferry accident with two-hundred strangers in icy cold water somewhere, or whether they’ll ever get to walk the length of South America, or what they’d do if they found a dead body in a hotel hallway, or if they’ll keep having that dream where they show up to the wrong building for a college final exam, or if they have syphilis, or if they’ll ever be the father they want to be, or marry a woman as great as their mother, and in there somewhere are the realizations, too, the realizations we are having every moment of every day: the lines of morality and sanity we keep drawing and moving and drawing again with everything we observe, and the list of Hopes and Dreams that is under constant revision without us knowing, the importance of breath and bras and bicycles all neatly ordered and the smells we love so much like old books and stale cake and the things we know we’ll never do like fly a jumbo jet or hide in a refrigerator to scare the crap out of somebody and oh look at the list of regrets written all over these guys faces the women they wanted to fuck the cars they wanted to buy the movies they wanted to see as though they were already dead as though their whole story had been told but that’s not the truth now is it we lived, we were burning to live, we were burning to live!  And we did live, at least most of us, although now in our late thirties and early forites, a few of us have started to go. I have a thing like fire, but it isn’t fire.  It’s something I can feel on my skin, in my hair, even see it on my eyelids when I close them.  It flickers like flames and tingles like sparks, it’s love, truest love, and it burns like fire but isn’t fire, and it’s the only reason for anything at all, but I’ll be damned if I know what it actually is, from whence it comes or what it is made out of. But like I said, all those guys did live, even if maybe they were trying to die.  You can die really young, if you try hard enough.  I knew a girl from Chicago once. We met on the internet way back before that was the sort of thing that happened with any regularity. I was up really late at night, drunk of course, smoking cigarettes and using the different chat rooms available on America Online, back when chat rooms were the cutting edge of communication. I can’t remember what chatroom I found her in, but I’m sure it wasn’t anything incredibly respectable. Somehow we hit it off right away, finding a mutual interest in Pearl Jam, smoking cigarettes, and talking filthy. This is even before it was easy to send each other pictures, digital photography was just really something people had heard of, but nothing that regular people were doing on any grand scale. We chatted online quite a bit for a few weeks, then graduated to phone calls, and eventually she boarded a plane and came to see me. I picked her up at BWI and was immediately disappointed with her.  Something about how she wasn’t up to my standards physically. But I was not a cruel man, so I hid my disappointment as much as I could and spent the next few days with her. We had a fling, although I did not threw myself into it wholeheartedly, but almost out of a sense of obligation. I would spend the next few years basically dodging her, until for whatever reason I decided to take a trip to Chicago with another friend of mine, he knew a girl there that he was into, and I could see this girl from Chicago again. We took an over-land trip, he drove and I drank vodka the whole way. I remember almost nothing about the car trip. I remember talking about Stephen King and the band Red Hot Chili Peppers, smoking lots of cigarettes and crawling around in the backseat looking for a bottle that had somehow gotten back there. It was incredibly dangerous, but we did it anyway. Once we got to Chicago, I once again couldn’t really throw myself fully into the fling with this woman, we hung out in a hotel room with her, drank beer that was in the sink filled with ice. We watched the movie “At Close Range”, and talked like Christopher Walken. Then my friend and I drove home. I would talk to her off and on over the next few years, sometimes having phone calls frequently, oftentimes not talking for a year or more. Slowly we drifted into our thirties, becoming very different people as I emerged into addiction recovery and she drifted further into…everything else.  Her depression was immense.  We were very different people, ultimately, but once removed from our false fling we grew close, albeit from afar.  Suddenly in our mid-thirties she was calling me every day; she was falling deep into despair.  I had little advice for her.  After four or five days of phone calls, her Facebook profile lit up with her friends messages about how sad they were at her passing.  I guess she didn’t make it.  I’m too much about me, like to think about me, write about me, do my own thing, yada yada, et cetera et cetera, and on and on. Life is hard enough to figure out as it is, hard enough inside our own heads to figure out what is right, what it means to be a good and nice person who isn’t offensive without reason and who is kind and helpful without losing one’s authentic self, am I right?  Oh geez it’s complicated to even state the problem without creating a run-on sentence.  I mean it’s like, here we are, in our own heads, all alone, wondering what everyone else makes of us, worrying about all kinds of stuff we never say out loud like money and death (especially death) and how our breath smells and if we should cross the street yet or if we have some disease or are going bald or menopause is setting in and while we’re trying to silently figure all this out in our own heads all by ourselves we’ve got to interact with all these other damned people and you never really know (do you?) if you’re being nice or being a prick or hurting people unnecessarily or using guilt just to get your own way or maybe overreacting to other people’s harmless bullshit—and how can you figure all this stuff out?  How can you be nice and helpful without actually being someone else for a bit and observing how you are?  And then maybe it’s just your blood sugar, and you’re having a down day, and you need a nap, but who knows?  Maybe it’s more than that, maybe negativity has infested you, or you are finally and actually and once and for all egotistical—I mean, it happens to some people, right?  Why not you, why not me?  I think maybe it already happened to me, I think maybe I’m lost inside myself.  Once, when I was in rehab for not being able to stop drinking (the second time) the keepers ushered us outside to play kickball.  A bunch of grown or half-grown people who days or weeks before had been sleeping in our own vomit or living drowsy lives in crack houses were now being ushered outside to play kickball.  It was an unusually hot spring morning and I was a very unhappy man—I wasn’t quite done withdrawing yet and I hated everyone—and regardless of my mood, I was in no physical shape to play kickball.  I was quite overweight and hadn’t been eating anything close to a proper diet for years, in addition to smoking two packs a day and drinking a gallon of gin every two days.  My cardiovascular system was fucked, my vision still wasn’t right from all the drink and withdrawal and lack of proper vitamin absorption—that’s a real side effect of alcoholism, look it up— frankly I was having trouble sitting in a chair straight, and here I was being suddenly expected to play kickball.  Oh and one other thing: the woman I was in love with was in this rehab with me, at the same exact time.  I was head-over-heels for her (whatever passed for my head in those days) and despite my intense and fragile emotional and physical condition, I remained unable to extricate myself from those feelings—and from the macho bullshit that I thought was required of me in front of her.  She’d seen me crying almost endlessly for days since we arrived at the rehab (for reasons even I myself didn’t understand) but out here, on this sun-drenched kickball field, I was afraid I might not impress her with my physical prowess while playing a child’s playground game.  Needless to say, I did not excel that day.  Running to first base made me so winded I had to go out of the game.  I couldn’t coordinate my hands with my eyes to catch a lofty, slow-flying red playground ball.  I laid on the outfield grass and heaved breaths, sobbed for no discernible reason, was an unsolveable mess, and had to go back indoors before everyone else.  I thought I had failed as a man, that she would never want me (turned out she never did, but for reasons other than kickball).  There, then, at a moment in which I was almost completely divorced from my body and the pressures of the regular outside world, I remained unable to understand how others might perceive me, was unable to correctly order what was important from what was trivial and ludicrous, was so set in my mind how I viewed myself that I laid in the outfield grass not worried about why I could literally see my heartbeat in my thumb, but about appearing unmanly.  Damned idiot, always a damned idiot even when I’m just inside my head.  Is this what our lot is, as human, to be stuck in this vacuum tube of a skull and never know who or what we are?  Even now, almost two decades removed from that day on the kickball field and any bottle of any type, I don’t know what kind of a person I am. I have made strides toward goodness, oh I have made major strides, but I don’t know, at my core, what kind of person I am.  Do you?  I spend time being grateful for this wonderful little life I have all the time, and yet daily find myself drifting into needless trifles; how much is that magazine I want? Can that person actually park there?  Maybe I should shave this goatee.  What time is Walking Dead on?  Is that even on on Sundays?  I think it’s Mondays this season.  Do you think my high school teachers remember me?  Maybe I don’t make enough of an impression on people.  Or do I try too hard to make a good impression?  Maybe I’m over-bearing.  I need to work on that, start thinking about it more clearly, with more resolve.  Is that black mold over there?  I don’t know much about black mold, I should look it up.  In endless loops.  All that shit in endless loops and at the end of each day (if you measure your life in days) you are no closer to knowing if you are a good person, a good and true person who is true to yourself and doesn’t hurt other people.  How can you know?  How can you know?  I just got home from visiting my father, who still lives in the house I grew up in, in the rural central part of Pennsylvania—all rolling hills, clusters of trees, right at the foot of the Appalachians in the Cumberland Valley.  The house sits on a neat rectangular acre across the street from an expansive Mennonite farm.  It’s calm and still, and the days pass with mostly silence outdoors, the grass growing and the animals making noises in the brush, a car passing every five minutes, fading into the static as quickly as it came.  Dad has hummingbird feeders set up by the porch and we sit out there and watch them, their wings moving as fast as lightning, flitting to and fro, drinking, drinking, then buzzing off to some other urgent affair.  Occasionally one will rest on the pole that holds their feeders, sitting still for a few moments, its head moving up and down and all around, as if to contemplate the surroundings.  But we know better.  It isn’t contemplating a damned thing.  It’s just guarding its territory waiting to eat again, waiting to reproduce again, getting ready to fly again, just simply waiting to respond to impulses.  It’s a beautiful, adorable little creature, but it is not contemplating shit, and it doesn’t give a damn what you think.  What is an abyss?  Is there an abyss, beyond us?  If when we die, nothing happens, what does it look like?  Feel like?  I’ve opened a portal between this world and the next and it looks just like a big red door, a front door, you know, a house door.  What nonsense.  Christ, everything is nonsense.  How can there be meaning?  There is no meaning.  There can be no meaning.  It’s just atoms and electrons buzzing around, and they certainly do not mean a damned thing.  But can we arrange things just so? John Sloan and the ashcan school.  Now there is meaning.  Beautiful, dense paint thrown up on a canvas and arranged just so, just properly.  But if the electrons don’t mean anything how can we paint meaning?  All I know is The Wake of the Ferry makes me feel something, something primal despite not being primal.  I am not primal.  I am a soft man molded by the modern world.  Oh how I have tried not to be so.  I have labored with gusto to not be pampered by the time and place I was born but I don’t have the guts to do what it takes.  Instead I have allowed myself to be carried away by the world like a cow in a cattle chute—the poor thing like that mole my dog so callously eats—and made soft.  No, I am not primal.  I am secondary, and yet somehow The Wake of the Ferry—paint arranged on canvas—awakens something within me from when I was another species.  From when I grunted.  From when I howled.  It might even come from the abyss.  Holy crap where does it come from.  I sure do like blue skies, clear wide-open blue skies and the wind on my face.  Getting tan.  Getting tan is like taking the outside world into yourself and then shooting it back out.  And all those vitamins and good vibes.  Also I like movies.  I like watching movies in air conditioned rooms while sweat dries on my skin.  I like rice with salt on it, and dogs who smile.  Really, there’s just art.  Immense, wide skies with cumulus clouds to the horizon, the prairie spread out in the foreground.  A poem that makes you tear up, but not really cry.  That toe-tapping song, that movie that makes you feel afraid like you did when you were ten.  Shadows in the corner, a swirling dervish of a dance.  That’s really all there ever really is, just the art and some sort of meaning.  There’s not really a word for the opposite of loneliness, but that’s what I experience, all the time.  Not because there are so many people around me—there are often none.  And it’s not because I don’t feel lonely; that would just be the absence of loneliness.  No, it is the opposite of loneliness, a filling-up of things, a carrying of weight, a total contentedness with the order of things.  I also often feel the desire for time to stop.  I can have sickening longings for the past.  I am not afraid to grow old, nor do I wish to relive past experiences; but I miss eras, phases, periods of my life.  I miss the way your apartment smelled in the summer and I want to smell it again.  I was like a god, those days.  I don’t want you to live in that apartment again.   And then there was that time so many of us lived in like a five block radius of one another, and there were coffee shops and open mic nights and warm summer nights when the noises of different venues mixed on the streets with the smells of coffee beans and rum and cigarette smoke and Liz Claiborne perfume.  I don’t need to live it again.  Good lord, I don’t need to live it again.  Just let’s stop everything and smell it and look at it and grow old in that world, in that place, in that feeling.  Let’s have the rings of Saturn stand still for just an epoch.  Then we can start time again.  I live in the opposite of loneliness and I’d like more of it.  Also I don’t want to die, ever.  moonless dark country nights.  there’s a sound to it.  a cricket sound, a buzzing, a silent sheath.  the sound of the nights of my teenage years, accompanied by the smell of beer, loud talk, and the first Violent Femmes album, the one with Country Death Song.  nowadays I want to take pictures of everything.  I try not to but I do anyway.  I don’t know what the penalty is for allowing a beautiful moment to pass unrecorded but nobody is ever going to levy it upon me.  I wonder about things like the shape of the land, the hills, how much we made to suit our own purposes like roads and drainage and sewage and how much the earth made, how long was it like this, how did it get this way?  eventualities swirl around and around and around, and around yet.  I have very much to say about many things.  mostly I don’t say them.  often I will say two or three sentences but I know it’s more than most people want.  it is just as well.  I’m a prick with my ideas and opinions and there’s no need to spew them out entirely; the big old universe with its Saturn’s rings and open mic nights does not give one fig about what I am saying.  and so on and so on and so on.  dark country nights with their sounds and their memories and time stopping and who couldn’t be lonely in all this immensity, anyway?  it’s all so damned big and careless and spinning with no plan, so I say, so I think, if you really want to know, and the wind blows like a motherfucker and the flags are stretched out at the tops of their poles and we’re all so lonely and the opposite of lonely.  really, there’s just art.  immense, wide skies with cumulus clouds to the horizon, the prairie spread out in the foreground.  a poem that makes you tear up, but not really cry.  that toe-tapping song, that movie that makes you feel afraid like you did when you were ten.  shadows in the corner, a swirling dervish of a dance.  that’s really all there ever really is, just the art and some sort of meaning.

Posted in real life with tags , on October 16, 2017 by sethdellinger

I did a thing.

5k

Protected: I Am Out of Goodwill Puns, Here’s an Entry About Work

Posted in real life with tags , on October 12, 2017 by sethdellinger

This content is password-protected. To view it, please enter the password below.

Fall Work, Ashcan, 5k, and Sandra Bland

Posted in real life with tags , , , , , , , , , , , , on October 9, 2017 by sethdellinger

1.

Winter is coming and I hate winter.  But I am coming around a little more to the idea of liking fall.  For most of my life, I’ve been staunchly against fall, citing the fact that it is a sad harbinger of winter, and the end of summer, and the season where everything dies.  But the past few years I’ve started to feel I’ve just been repeating what I’ve always said, instead of being honest about my changing views.  Fall is kind of nice.  I like wearing longer pants and hoodies.  I like crunchy yellow leaves.  So yeah, another example of allowing myself to evolve here.  Granted not on any sort of major topic, but I wanted to make it public: sure, I like fall.

2.

Work is going terrific!!! I am back to working in Harrisburg and no longer doing my crazy commute.  I work (approximately) 8am-4pm Monday-Friday.  I’m having a blast!  I’ll have a more detailed password-protected blog about it within the next week, but I wanted to give that quick update.

3.

My favorite painting of all time is John Sloan’s “Sixth Avenue and Thirtieth Street”.  The reasons are many.  First, Sloan is my favorite painter overall: his pioneering “ashcan” style–which denotes his muted color pallet, a brush technique that was representational but bordered on abstract, and choice of subject matter–speaks to me and to my view of the world.  This painting in particular (which I’ve included below) hits me on a gut level.  The titular streets are in the “tenderloin” district of New York City, which is another way of saying the poor or “slum” area.  In this work, Sloan chooses to show us this area in broad daylight at a busy intersection.  We are looking at a corner business that is perhaps of some disrepute–a brothel or perhaps a burlesque theater?  There are some finely dressed folks around, but they are not the same kind you’d find down by Central Park.  The focus of the scene is on a woman in distress; she is in nightclothes and carries a pail, is obviously upset.  Most scholars of this painting suggest this woman is drunk and is emotional.  The passersby–especially the two finely-clad young women nearby who could not be more different than the drunk woman–look on with judgement and perhaps even amusement, but no one in the scene seems to have empathy or concern for this woman.

There is a lot more that could be discussed about the painting.  Sloan did not waste a centimeter of the canvas (a quick for instance–Sloan’s decision to place the drunk woman at the bottom of the canvas, rather than center her, leaving him space to paint lots of sky, whereas he could have provided more surrounding context of the city instead; an interesting topic of discussion, that one).

johnsloansixthavenueandthirthiethst

 

4.

I have made some mention on Facebook that I have begun running, and even signed up for my first 5k (this coming Saturday)! I’m super excited but also currently undergoing a substantial amount of worry as, just 3 days ago I did my longest outdoor run yet and have had some very minor signs of some stress fractures in my shins the past few nights.  Now, these symptoms are very minor and it is 100% possible I am inventing them.  Any way you slice it, I am running the 5K this Saturday and will keep training this week on elliptical machines to avoid high impact work, and should probably know after the 5k (because my body will tell me) if I have to take a break from running and maybe evaluate my running style, etc, moving forward.  But I want to be a runner super bad so even if I have to take a significant break and make some adjustments, I’m on it.  On a side note, the running has really been a key factor in helping me get close to my goal weight: before the weekend I was 144 (goal is 140)…the weekend saw a lot of eating so I’ll know where I’m at when the dust clears on Tuesday :)

5.

Police kill innocent black people with an alarming frequency.  You don’t have to eat animals or their secretions in this day and age.  America should be a country that welcomes immigrants.  Respect women’s reproductive rights and the rights of their bodies.  Resist any and all attempts to make our culture white, male-oriented–including the language you use.  Climate change is real. There is no need to wear wool or leather in this day and age.  Do whatever you want when The Star-Spangled Banner is playing, including eating food, walking to the bathroom, keeping your hat on (I mean really) or sitting or kneeling.  Fund art programs, NPR, Meals on Wheels, and Planned Parenthood.  Oh, and in Major League Baseball, the designated hitter rule continues to be an absolute scourge.

145

Posted in real life with tags on October 1, 2017 by sethdellinger

Weighed in at 145 pounds this morning, with a goal of 140.  Feeling pretty good!  I’m a little unhappy about the fact that I can’t do much strength training, due to my recent Carpal Tunnel surgery, so it is affecting how the fat is burning away from me–I have a little more belly than I have at 145 before.  But all in all–I am in a really good place (we ate out twice today though–I will not be 145 tomorrow!)

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Willis Earl Beal’s Circular Victory

Posted in Prose with tags , , , on September 16, 2017 by sethdellinger

Turn.  Circle.  Sun.  Moon.

These are the four words that comprise the title of the latest collection of songs by Willis Earl Beal.  The title is not only succinct–it also could not be more apt.

(the album doesn’t have a physical release yet but can be purchased for download at this link.)

All four of the words imply a kind of motion, an orbital, cyclical, or circuital movement (in the case of sun and moon, these motions are dependent on the motions of others).  Beal–who professionally wishes you’d call him Nobody–doesn’t choose words (or melodies, or masks) carelessly.

Sonically, these songs–like much of his recent material–consist of rising and falling keyboard dirges that weave in and out of prominence, often cycling back to where they started, but just as often running like a steady current behind Beal’s  plaintive vocals.  Within the framework of this wide-open musical canvas, Beal still manages to find unexpected nooks and crannies to place his vocal rhythms–he’s suddenly jumping out at you from a corner you didn’t even see–or he’s hiding in it.  Add to this a production value of lo-fi immediacy (I often felt like I could hear him change positions in a chair) and the cumulative effect is one of urgency, despite the modest tempo of the tunes, each song still manages to make you feel as though you are in the grip of strong stuff that is racing to an end.

But to “review” this album in any typical way would be like trying to review a cloud, or dirt.  That statement sounds preposterous, I know, but there it is, just the same.  As he continues to evolve as a songwriter and musician, Beal keeps mining material that gets closer and closer to the elemental; this is art like wind, or the subliminal functioning of a gland.  One feels these songs pass through you like quarks.

Beal has often layered the vocals one on top of another, giving the impression that they rotate around one another (like, for instance, the moon around the Earth and the Earth around the Sun); it’s like Beal orbiting Beal, at first the words just one more sonic tool, one more instrument, but eventually the words start to coagulate and meaning attaches to the dirge.

They are songs of loneliness, and love, and helplessness, and yearning.  From the opening song “Stroll”, where we are taken on a midnight constitutional with our narrator contemplating the greater meanings of the universe, to the closing number “Sun & Moon” with it’s sad binary truth (“I am night/ And you are day”), I felt connected to every song; ultimately, they are deeply human.  We experience the resignation to hopelessness, but also perfect hope (again in “Sun & Moon”: ‘But I will see you tomorrow”).  As we continue orbiting and turning, we experience the push and pull of our contrary desires: to be alone, but to be loved.  To be anonymous, but to be great.  When I invested myself in these songs, I felt understood, but also complex.

In “Cowboy”, we are presented with lyrics so brazen, bold, and current as to warrant presenting some without comment: “Passing places through the mall/ Empty faces filling all/ Hear the laughter off the walls/ Birthday presents for you all/ Know resistance while you can/ Avoid incessant clapping hands/ Put your face in garbage cans/ Take the trash do what you can/Recycle all your wasted shit/ There are people trying to quit/ (You’re a cowwwwwwwwboy/Roping all your bulls.)”

In “Release” we are presented with the lyric “You must let go of all the linear victories”, which is a boy-howdy of a line; you could chew on that line for days.  What is a linear victory?  How do we let go of it?  Like the best art, the songs offer some answers, but not all of them.  However, who knows? If you let these quark-songs flow through you enough, maybe the answers will find you.

The art of Willis Earl Beal–Nobody–has been an undercurrent in my life for years now, and this album more than any others before is like a chameleon, a changeling.  As I listen to it it darts away into my peripheral vision and changes shape, form.  It’s hard to hold onto.

Currently, “Turn, Circle, Sun & Moon” does not have a physical release, but can be purchased for download by clicking this link.  If you buy it, it will almost certainly be a linear victory for you–but at the moment, that’s still the only kind I know how to get.

For Benji, Forever Ago

Posted in real life with tags , , , on September 13, 2017 by sethdellinger

I never envisioned it ending that way, Benji.  Not in that small, fluorescent-lit room, on the floor there, by the diagram posters of canine mouths and the end table covered in year-old magazines.  I don’t know how I pictured it, but it wasn’t there.  I’m so happy I was able to be there with you for it though–although truth be told, I’d have liked to have been anywhere else.

So that was how it ended for you.  The culmination of your significant sixteen years of life experience,  all your moves and joys and sadnesses and all the people you knew and everything you smelled–all the stuff that was you drew up into itself and stopped, right then, in that tiny room.

I’ve had thoughts like this before, Benji.  When my grandma died, she was there in a hospital bed (I wasn’t there, I didn’t see her.  I have regret! I have guilt!) surrounded by, I suppose, pillows, blankets, and unending medical gadgets (one of my favorite songwriters put is perfectly in saying that, as we die in hospitals, we are “swathed in inventions”.  How terrible!).  And that is where her story ended, many miles from where it started, after years of toiling away, gasping for it all, forming and nurturing relationships, it petered out right there in that adjustable-back bed, probably drinking through enormous straws.  When it ends, typically, it just fades out, like the last drips through a garden hose, and practically everything you’ve done just blinks out along with you.  We have lots of grandma’s stuff, but the things she thought, or felt, or knew–those stopped right there, swathed in inventions.

It’s difficult for me to imagine that you had a mother, Benji, but I suppose you must have.  A biological mother, of the dog variety.  You were born on an island in Hawaii, which is so, so very far from here.  I’ve typically thought of your story as starting in the animal rescue that Karla found you in when you were about seven months old, but certainly, for you, your story started before then.  I strain to imagine the circumstances of your birth.  Were you born in an alley in a city?  Or as part of a litter that “belonged” to someone, and they gave you away?  Or were you born in a wild part of that tropical paradise, under some sunny palm tree copse, shadow-dappled, to a gorgeous pure-bred Basenji mother who couldn’t take care of you and your nine siblings?  Your genesis will sadly always be hidden from us; it was locked away from us behind the barrier of language.  How terrible, I say!  How terrible.

When someone dies, I picture their life like a long, squiggly line, moving this way and that, to and fro.  Not just geographically, but up and down as fortune favors or frowns on you, as things go good or bad, as you love or hate, are happy or sad, as you move across the globe, or spend all day in the living room, life is long (it aint short, it’s long!) and the line moves all around as you collect all these vivid experiences, and then, suddenly, there’s a big dot where it ends, on the floor next to magazines.

What was it all for, Benji?  Why did you do it all?  Why go through all the immense machinations just to drip out like drops from a hose, like everyone else?  Well, not to be too dramatic, but I gotta tell you, I’ve spent a lot of my life trying to figure out the answer to that question.  Almost everything I’ve written has been an attempt to get to that (I’ve never told anyone this, out of embarrassment, but when I write, I think to myself that I am trying to “crack open the shell of the world and see what’s inside”.  Isn’t that dreadfully pretentious? And now I’ve gone and told everyone), and all my favorite art and media is mostly more sad or deadly serious than most people prefer (my father-in-law and I joke about my predilection for “feel-bad movies”); I am always listening to music and looking for the answer, reading books and looking for the answer, watching films and looking for the answer.  And Benji, I do think I’ve found it, and here’s what I would have told you if I could have, through the barrier of language:

There is legitimately no reason or meaning to life.  Isn’t that awful? But really, it is quite obvious.  How could it not be so?  We are just little squirmy critters scampering over the surface of a fantastic planet.  We are summoned forth from the void by the power of biology, and once summoned, have to complete the maze until the very end.  That’s about it.  Dreadful.

But, Benji, there is good news! In the absence of any “reason” for living from outside of ourselves, we are free to conjure our own.  And that’s what I have really spent all these years trying to figure out.  If there’s no real meaning or reason for all this, what is the right one to create?  And that, too, seems obvious:

Bring joy.  Be joyous.  Spread joy to those around you and find joy for yourself.  We are but squiggly little creatures on this planet just once, and I lied earlier when I said life was long, it’s short, it’s short!  And its hard, my goodness this life we live from beginning to wherever it ends for us is so damn hard, all you can do is try to find some joy, to bring some joy into your house, to spread that large multi-colored burst whenever, wherever you can, as often as you can.  It’s not easy to do, Benji, because life will discourage it, but hey: it’s all we’ve got.

The best news yet, Benji, is that you were terrific at this.  To the last, you smiled, despite all that life had thrown at you.  You smiled your smile and wanted to be right in the middle of the action, all the time, and love us all up, and prance around feeling the carpet or the grass under your paws, angling your head up to the sun like the vaulted Hawaiian king you absolutely were.   So, I say (too little, too late), thank you.  There is never too much joy.  Someday my line will stop at a big dot somewhere, and until I get there, I want to soak up as much of the joy as I can, and I aspire to spread it around like you did.

Joy.  That’s the answer, right Benji?  It has to be.  We can make it be the answer.  Because other than that, there is only one fact in life: it ends.

He Likes Sunbathing

Posted in Rant/ Rave, real life with tags , , , , on September 5, 2017 by sethdellinger

Today, Boy and I went to the pool in our development for some late summer swimming. The water was freezing, but the company was terrific, and the sun was shining. After about half an hour we took a break and sat on a bench eating some snacks. Suddenly, something hit me in the chest with a thud. I was shocked and bewildered, and quickly realized it was in fact the largest fly I have ever seen. I guess it is what they call a horsefly, although I have no idea what it scientifically is called. This fly, which after running right into my chest circled around Boy and I for a few minutes, was, hands down, one of the largest insects I have ever seen. It landed on us occasionally, and I swear it was the size of a small rodent. When it landed on you, it had true heft, you could feel its weight on you. I won’t deny being a little creeped out, and I did continually wave it away from me, but naturally, the thought of ending this thing’s life never crossed my mind. Why in the world would it?

After a few minutes of this fly circling around us, it became evident that we were not the first people at the pool to have noticed it, and now a lot of eyes were trained on us, watching us deal with it. A few minutes after it encountered us, it landed on the concrete sidewalk about ten feet away from us. One of the local girls who was also at the pool, probably about ten years old, sat a few feet away from it, staring at it in disgust. She held in one of her hands a flip-flop. She looked at me, assuming that I would be in league with her on this, and she said to me, I hate flies, and she inched toward it raising the flip flop. I said in a calm tone, It’s not hurting anything, leave it alone. What I said must not have registered very much, as it is an unusual stance about insects so it usually washes over people at first. She continued to advance on it and raised the flip flop higher and repeated her statement, I hate flies. Before she got any further I said in a sharper, more urgent tone, It’s not going to hurt you. Please don’t kill it. 

Before I tell any more of this story, I think it is important to note that I am in no way telling this story to get kudos for saving this fly’s life. Asking people around us not to senselessly kill animals who are minding their own business is, in my opinion, the very least we can do, and is not something we deserve kudos for but is in fact a moral obligation. That being said, I will continue the story.

The interesting thing is that when I pleaded for her to not kill it, you could see some sort of flash of recognition across her face. It is probably likely that in her life she had never heard anyone plead for the life of an insect. And although she was about ten years old, which in the grand scheme of how we form our worldview is actually rather old, she is still young enough that simple truths like that can penetrate in ways that the psyches of older people don’t allow. A second after I pleaded for the insect’s life, and the flash of recognition happened to her, she looked at me and gave a little smile, looked back at the fly, and almost seemed to look at it with affection. After a few more seconds, she looked at me and said, He’s sunbathing! He likes sunning, doesn’t he? I said, he probably does.

Boy–who of course is no stranger to this rhetoric and is fully on the “don’t kill insects” team–none-the-less wasn’t so sure about my authority on this particular issue. “How you know it likes suntanning?” He asked me. I don’t, I said. But I bet it does, most people do. And then, looking at the girl again, I said, But one thing I do know is, it doesn’t want to die. Nothing wants to die.

The girl walked away, and over the next few minutes I heard snippets of her conversation with her friends, and she kept saying, The fly like suntanning, the fly likes sunning.  Kids are so receptive to these simple ideas, which almost certainly means they are universal truths that we are born with and culture shoos us away from.

The argument I always come back to in any sort of discussion about veganism, animal liberation, animal rights, etc etc, is that things don’t want to die. People can talk about humane conditions or slaughter, humans being natural carnivores, or even justify eating certain creatures of the sea because they lack certain elements of a nervous system, but sentient beings don’t want to die. Things want to live. Even insects. Even worms. Animals want to live.

Dance

Posted in Memoir, My Poetry with tags , , , , on September 3, 2017 by sethdellinger

In all these tiny useless shops, with all this
torn and tattered furniture and too-small coats and
half-working vacuum cleaners, I have never come across
a velvety orangeish curtain like the one we hung
in the living room on Big Spring Avenue; it was
wide and garish like a Lady Pope’s vestments
and it kept the heat from pouring down between the
hardwood floor slats into the musty dirt basement;
likewise, in none of these big city shops have I ever
danced around with a cocker spaniel like I did
with ours–Cocoa–one bright Saturday morning
when I was all alone with her.  I did the funny dance I
only ever did with Cocoa, one hand in my armpit,
jumping on one foot, the sound of my skin half-drum,
half-fart, the world at last and for a moment a perfect
sun-filled room, a dappled meadow, Cocoa just
staring with all-black eyes, shimmying just to
get out of my way, me whirling and singing a song
I can’t recall, then laughing and laughing in the
sun beaming through the windows, falling down
with her, as if we were dying, as if we could
never stop–in 1984, in Newville Pennsylvania–
beautiful strange small-town Newville,
home of Laughlin Mill and the Bulldogs–
a hundred miles and thirty years away from
this dingy city thrift store I stand in, remembering
the orangey curtain and the drafty floors and the
sweet temperamental dog so confused with her
round voids of eyes, she’s gone now, so gone even
her dust is gone, oh giant universe, oh wild universe!

Anyone Other Than Me

Posted in My Poetry with tags , , , on August 18, 2017 by sethdellinger

You have rescued me from a trail of tears.
In a world of fear
did you know that I’d be there?
Every time I speak your name
there’s a shiver that holds me close;
from a pin prick famous place
where forever forgets what we should know.
Did you think it would be anyone other than me, dear?
You’ve outlasted all my friends.
I buried roots and you dig them up
and you share with me my place.
A perfect circle– never give it up.
Did you think it would be anyone other than me, dear?
Empty bottles and hallway shoes;
you whisper close to my body hush.
‘Cause if every word could change my face
not half as much as I need your touch,
did you think it would be anyone other than me, dear?

Men, Keep Your Shirts On

Posted in Rant/ Rave with tags , , , , on August 11, 2017 by sethdellinger

Men, keep your shirts on.

Listen, I know this sort of ideology really makes lots of people groan, even so-called “liberals” who can often be heard to say “I’m all for (fill in the blank) but enough is enough!”  But usually, when you find yourself saying enough is enough, that usually means you might actually be approaching the line of what is right and just.

When you were growing up, did you ever think to yourself, Isn’t it weird that men or boys can walk around with their shirts off and women can’t?  I’m willing to wager you did think that, probably sometime between the ages of five and ten.  You thought it because it’s OBVIOUS that it’s strange; like so many other oddities you thought of as a child (“Isn’t it weird for humans to drink the milk of a cow?” and “If people of other races are just like me, why do we treat them differently?” and maybe even “If police are here to protect me why do they scare me?”) our culture has a buffet of fictions it has produced that you are fed with such alarming regularity that, after you are a fully acculturated pre-teen, you take these oddities to be self-evident normalcies.  Men can go topless, women can’t.  That’s just the way it is.

Of course, this isn’t about shirts or nipples; not really.  It’s about living in a land where, even with all the strides we’ve made toward gender equality over the past 50 years, the most basic “stories” of our culture still seek to control the woman and set the man free.  We can work toward pay equality, and make superhero movies about women, and all these wonderful things that truly are wonderful, but until we change the most basic tenets of our culture (practically our entire language is about men, women’s clothes aren’t functional or comfortable, women are judged on their appearance to a degree beyond male comprehension, and on and on and on and on) any man who is even moderately awoke to this fact is absolutely obligated to do everything they can to combat it.  And it is absolutely imperative that we not do something that our female counterparts would be forbidden by law to do simply because of their gender.

To walk out of your house without a shirt on is to take part in systemic inequality of the most deeply-rooted, insidious sort.  Who do you think you are, walking around bare chested?  My fiance is not able to do it–so how dare YOU?

I don’t care if you have six pack abs or a beer belly.  I don’t care if you are working out or sunbathing.  It’s not OK.  Once you are “woke” to this fact, a man walking around shirtless can seem, in fact, downright sinister. (I must admit here a caveat: I swim shirtless at our apartment complex because it’s an actual rule there, but I’m working up the courage to stop doing that).

I understand many people I know, after reading this very simple, straightforward statement will still want to argue with it.  This is natural, because the fiction you’ve been told has strong sway on you (even when you are the oppressed class). All I ask is that you let it sit within you for awhile, before pushing back.  Think about it when you see a shirtless man go running past you.  If he were running with a woman, she’d have to be shirted–and hotter and less comfortable.  Let it stew.

Posted in Photography, real life with tags , , on August 8, 2017 by sethdellinger

zzz

More Hand Gestures for Driving

Posted in Uncategorized with tags , , , on July 27, 2017 by sethdellinger

The other day, I was driving and I saw someone use one of the hand signals you are supposed to use to signal a turn if your turn signals aren’t working.  It got me thinking about nonverbal hand signals we can use to other drivers on the road.  There are the turning hand gestures, the “you go first” gesture, and “the bird”, and that’s about it.  It got me thinking how great it would be if we had a longer list of “official” hand gestures we could use to easily communicate to other drivers.  Here is a partial list of what I think would be very useful for us all to learn, although I have no idea what the actual gestures would look like, but we need some that mean these things:

–“I know you waved me to go first, but really, I think you should go first.”

–“I’m only changing lanes really briefly.”

–“I’d prefer you not drive that close to me.”

–“Are you a police officer?”

–“I really like your sunglasses.”

–“I still buy CDs.”

–“Who is your favorite Golden Girl?”  (note: there would need to be hand signals for each Golden Girl, including Stanley.)

–“I wish I could grow a mustache.”

–“I am not personally responsible for this traffic jam.  Would you like to get to the bottom of who is?”

–“I’m really more of a ‘dog person’.”

–“How about this weather?”

–“I can give you some pointers on how to go vegan, if you’d like.”

–“Do you happen to have a bathroom in your car?”

–“Wow! We’re both going super fast!”

–“Stop texting!”

–“Evolution is not a theory.”

–“You know, fellow traveler, driving down this nondescript highway, in a car I am indebted to, toward a job I hate, has me feeling like just a cog in a sinister capitalist machine.  Good day to you!”

–“I just had carpal tunnel surgery.”

–“*HAZARD LIGHTS*”

–“I wouldn’t mind learning the art of topiary gardening.”

These are just a sampling of the standardized hand gestures that I feel could make our lives easier.  Are there any I have left out? Leave your suggestions in the comments!

It’s Going to Be OK

Posted in Memoir, real life with tags , , , , , , , , on July 20, 2017 by sethdellinger

I sat, waiting, in the Big Room.

Around me were gathered about forty others, in the hardbacked plastic seats, under the blare of florescents.  Most were having side or group conversations, hushed, but I sat quietly to myself, waiting.  The Big Room was, naturally, the largest room in the rehab facility.  It was the only room that everyone gathered in at once.  We started our days there with roll call and would cycle back in a few more times each day for various large meetings and activities, and ended most nights there with, typically, something profound or at least an attempt at profundity.  This is such a night.

The hushed conversations come to a halt as the head counselor, Bob, enters the room.  He takes his time situating some papers on a small desk near the front of the room.  We all give him our full attention.  Bob is that rarest kind of person: a truly warm-hearted, immensely kind person who nonetheless is not to be trifled with.  Finally he clears his throat and begins.  “Tonight, folks, we are going to put you in touch with your younger self.”

Bob went on to explain that in a few minutes, another of the counselors was going to join us; I forget this counselor’s name, but she was one of the counselors who mainly stayed in her office and had individual therapy sessions, so her joining us at night in the Big Room was unusual.  Bob explained that she was going to walk us through an experience that was like hypnosis, but was not hypnosis, and this was going to be a special night for us.  Then the other counselor came in, and Bob turned the lights almost all the way off.

“Hello,” she said.  “I want you all to get as comfortable as you can.  If you want to stretch out and lay on the floor, please do, or stay seated if you prefer.”  I stayed in my seat.  “I want you to imagine a house you lived in when you were younger.  It doesn’t matter how much younger, just that it be a time before you started using drugs or alcohol.  Picture the outside of the house.  Now I want you to breathe as steadily, as deeply, as slowly as you can.  Picture the outside of the house and all its details until I speak again.”  Here there was a long pause.  “Now keep breathing just as you are. Slowly but steadily.  Please envision yourself gliding in toward the front door of this house.  Imagine you are a–”

 

I am in the kitchen.  It’s the kitchen of my childhood home, the one on Big Spring Avenue.  I smell the old smell, and the quality of the air.  I blink my eyes to make sure I am seeing this correctly.  I am seated with my back to the den, the open doorway that opens onto the den, and I am looking into the kitchen.  The trusty, dense and solid dining room table sits in the center of the room, just a few feet in front of me.  To my right is the open door into the playroom (later, the office) and to my left, the trash can and the corner of the kitchen.  In front of me and beyond the dining room table, there is the old boxy Frigidaire, the squat electric range, the closed door to the “back room”, and the cabinets, sink, the intense orange formica countertops, the paint on the cabinets so thick from multiple coats that I can see the bubbles from way over here.  But most of all, the wallpaper, the paisley-esque floral pattern that never seemed to repeat itself, the busiest walls in town,  all the swirling greens, yellows and oranges you could ever ask for.  I sit staring, agog, at a room from the dustbin of my mind, all the details intact, the sensory flash a blinding experience, like surfacing from beneath water which you did not know you were beneath. It seems that full minutes pass as I sit there–seemingly immobile–in silence except for the ticking hands on the Seth Thomas that’s above the trash can.  Then suddenly, I see him enter from the playroom.  He is quite young, perhaps eight years old.  He is a tiny little guy, and his bright blonde hair is almost blinding.  I do not take notice to what he is wearing, I am so focused on his face as he strides toward me: quite serious, bordering on dour, his skin so new and flawless, like aloe straight from the plant.  He walks toward the kitchen table with a purpose, without looking at me, then as he is directly in front of me, he turns to look at me.  The gravity of this moment is not lost on me.  He looks me in the eyes, the seriousness of him slowly morphing into steadfastness, then further into assurance, and finally, the corners of his lips turn up, and he is smiling.  Not grinning, and not smiling as though at a joke, but as if he was happy in some secure knowledge.  Then he opens his mouth to speak and his tiny voice comes forth. “It’s going to be OK,” he says.  I am unable to move or talk, but I know this statement makes me cry.  He smiles even bigger now and takes one step toward me.  “It’s going to be OK”, he repeats.  Now he steps even closer, and somehow climbs up onto my lap, even though I can’t actually see my lap.  He turns his head toward me and I can see he is now smiling the smile of the joyous, the thrilled, the exalted.  His little smile seems to go all the way up to the highest tuft of sun-touched blonde hair on his eight-year-old head.   He leans in close to me and through that gaping smile he whispers, “It’s going to be OK.”

Nowadays I share a lovely apartment with my partner, the best person I have ever known.  I have everything I could ever want, both material and ethereal.  I move through every day like it was a dream, even when they are hard days.  We listen to some good music, or read some good books, or lay and talk.  And some days, while she is in another room or out on an errand, I may be sitting on the couch when a boy runs down the hallway and jumps into my lap.  This boy is really here, in the here-and-now, and he’s glorious.  His blonde hair isn’t quite as shocking, but it is bright and fine and bounces on his head when he runs, and his skin is like aloe, straight from the leaf, and his eyes are that kind of blue that are only blue in pictures; when you look right at them it’s like you see right through them.  Many days he jumps on my lap on the couch and shows me some spot he has injured in his play; a brush burn on a knee, a scrape on a wrist.  The tears in his eyes are real, teetering there in the corners, wobbly, almost-falling down the cheeks.  “Dis gonna go down to the bone?” he will ask, or “Me am gonna die?”  I kiss his boo-boos as well as I can and gather him up into my arms as tight as he’ll allow, and I whisper to him, “No, honey, it’s going to be OK.”

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Posted in Uncategorized on July 13, 2017 by sethdellinger

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Let’s Talk About My Weight Fluctuation

Posted in real life with tags , , , , on July 8, 2017 by sethdellinger

I know the world isn’t a clamoring for a blog post about my struggle with weight fluctuation, but I’m clamoring to write one, so.  Let me give you a little of my weight/fitness history first.

When I was a very young man, in my teens and early twenties, I certainly did not struggle with my weight. I am a short man, but I don’t think it would be fair to say I was ever scrawny. Lithe, is how I liked to think of it. At any rate, I was a pretty small man. In high school I was on the wrestling team and I wrestled (poorly) in the 103 pound weight class, if you can believe that. Anyway, it wasn’t until the back side of my twenties that I started to plump up a little bit, nothing too serious, I just became a somewhat chunky guy. And when you are 5 foot 2, it doesn’t take many extra pounds to make you look chunky. I at that point started to go through phases where I would try to lose weight.  I would become obsessed with the idea of taking the weight off and doing it quickly. During this period I was still a smoker, so any hardcore exercising was fully out of the question, so I would try and do it through “calorie deprivation”, AKA starvation. Now, at this point I wasn’t getting very scientific about it, I wasn’t necessarily counting calories, I just did things like bought Slim-Fast, skipped meals, then would do a bunch of jumping jacks in my bedroom at night, assuming that any kind of exercise, when you are consuming extremely low calories, you are going to lose weight. It would work somewhat, I would watch the scale every day, I’d lose a couple pounds, but at that point in time I wasn’t interested or motivated enough to really keep going with it, and also my inability to really exercise in any extended capacity really limited me. So I would do it on again and off again, but never really commit.
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Then around the age of 30 I quit smoking, and I immediately bought a pair of running shoes and started running around my neighborhood, thinking I was going to make a huge change, and of course again I started severely limiting my calorie intake, and watching the scale. But, being the novice I was, I immediately overdid the running, inflicting stress fractures in my shins (although not diagnosed by a medical professional). My over zealousness and a lack of knowledge sidelined me shortly after I quit smoking, and then shortly after that is when I began my long solo journey.
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I moved to Erie, Pennsylvania, where I was 5 hours from all my friends and family, completely alone. It was a very exciting time for me actually, but one thing I decided to do, I made a conscious choice to go ahead and get overweight. I wasn’t going to run into anybody I knew anywhere. I wasn’t at that period interested in attracting a romantic partner, so I decided to just say to hell with it and eat whatever I wanted, however often I wanted. I also had a good amount of disposable income so it really was a tremendous smorgasbord for me.   After a year-and-a-half of living in Erie, I weighed 190 pounds, at 5 foot 2. This was pretty extreme. In many respects, it was fascinating and I kind of enjoyed it. I’d never been anywhere near that big before, and at first it became truly fascinating to see parts of myself changing, expanding, learning what it was like to be that big. But of course, that novelty wore off eventually. Things were very inconvenient, I couldn’t tie my shoes properly, going to the bathroom was a chore, and although I still tried to live a pretty active lifestyle, it started to be difficult for me to ride a bike, or take a leisurely stroll through the woods. So, it having been a few years since I quit smoking at that point, I decided to really go all in, and for the first time in my life, get a gym membership. And thus began the real weight ballooning. Now I was able to watch the scale, count my calories, and work out obsessively. It turns out that calorie deprivation coupled with frequent working out is actually an incredibly effective way to lose weight! Of course I’m not the first person to figure this out. But as any health professional will tell you, starvation diets are no way to lose weight and keep it off. Almost everyone who loses weight in this fashion puts it back on eventually. Because it is not a lifestyle, it’s a quick fix and psychologically, it wires us to bounce back. But at the time, that didn’t matter, I was losing weight super fast, sometimes as much as a pound a day. I became familiar with how many calories equal one pound of fat.  I did the math everyday, all the calories I ate, all the calories I burned.  And you might be surprised how, when one is living by themselves and can completely control what food is in their house, and how obsessive they are able to be, just how easy it is to approach that number in one day. In total, I lost 50 pounds in just a few months, going from 190 to 140. I also did a lot of weight training in that time, and was looking pretty astonishing. And even though I had gotten there through a starvation diet, I truly did enjoy working out and being fit, and had every intention–or so I thought–of continuing to live a fit and healthy lifestyle going forward. I had bought a lot of stuff, fitness swag. I loved going to the gym, looked forward to it and spent hours there as often as I could. Being fit had become a part of me, a part of my new identity and I loved it. However, just a few short months after arriving at this place in my life, I ended up making an enormous life change. After about 10 years of living completely by myself, and 15 years of working for the same company, I made a decision to move 7 hours away, to live with my mother and get a job with a new company. Now, granted, the living with my mother part was to be very temporary, until I could find my own place. However, mom lived in New Jersey, right outside of Philadelphia, and it was my goal to find my own place in Philadelphia, which was not the simplest thing to do, especially when I was also getting used to my new job. So I ended up living with Mom for about 10 months, and all these changes at once served to derail my newfound love for fitness. Now granted, I can’t really blame gaining my weight back on those changes. I could have continued to focus on the fitness, I do realize that. I tried very much at first. I transferred my gym membership to one in South Jersey, and tried to get there as often as I could, but I  ended up getting there just a handful of times. I was learning the geography of my South Jersey home, as well as trying to learn the layout of Philadelphia, and learning my new job. And although my mother is tremendously hospitable and living with her again at that stage of my life was an experience I wouldn’t trade for anything, it was also incredibly shocking to my system, as a man in his mid-thirties, who had lived in a couple rather large apartments by himself for a long time, to now share his house with his mother. It was a lot to take in.  At any rate, after holding my fitness together for a month or two, I started to slide, eventually caving and gaining almost all my weight back. By the time I came to and realized that I was a pretty big man again, I had been living by myself in Philadelphia for over a year. I suddenly realized that I had gone all the way back to my biggest. I remembered fondly how much I loved fitness in Erie, how much I love how I looked, how much I loved clothes shopping and how much I enjoyed the feeling of being physically fit. Being that size felt like the authentic me, like I had finally tunneled to part of the real me, in the physical sense. Here I am not suggesting that our “authentic selves” are purely physical–surely I was an authentic version of me when I was my biggest.  But in that body I didn’t feel like me.  In my 140 pound body, I did.
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 And so I started the process again. It was easier in Philadelphia, because I did not have a car and rode my bike everywhere. Even with that being the case I had managed to get to 180 or 185 pounds. I once again got a gym membership in Philadelphia.  The gym was two miles from my house so I had to ride my bike 4 miles round-trip just to go to the gym. I started starving myself again, or what I thought of as calorie deprivation. The weight came off like gangbusters once again, I stepped down through the pounds in just a matter of months, arriving at that beautiful sweet spot of 140, although my ideal goal has always been 130, my reasonable goal is always 140. I got there and loved it again, but just like the first time, no sooner had I gotten there then I made some enormous life changes. As most of you probably know, it was shortly after this that I met my love Karla, and once again stopped living by myself, moving back to my homeland in central Pennsylvania, and this time not just moving in with one person, but with Boy and Dog as well. And then shortly after that move, I changed jobs yet again, and then even more notably, quickly transitioned to vegetarian, and then to vegan. And while the general perception of being vegetarian or vegan is that it is automatically healthier–and that is almost always true–if one tries really hard, one can gain quite a bit of weight eating these ways. And so it came to pass that even though I was the happiest I’ve ever been in my life, the sheer magnitude of changes ushered in yet another slow crawl to a heavy spot.
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Now, I’m not a trying to blame my weight bouncing on these changes entirely. It truly is a mystery to me whether or not and to what degree these life changes cause my weight gain, or whether I would bounce back even without such changes to start it. All I know is that it has happened that way. Karla has been incredibly kind and understanding, always making me feel handsome and beautiful no matter what, but supporting me and what I want to do.  And so it came to pass that a few months ago, I decided it was time to get back onto the fitness train, this time, fingers crossed, to stay on the train forever. You see, the thing is, both times I have lost all that weight before, I certainly recognized that I was not doing it in a healthy way. I knew that the calorie deprivation and that incredibly rapid weight loss was not healthy for me, and would not be easy for me to maintain. However, I simply found myself incapable of not obsessing over it once I began. Now, I don’t know if this is what would classify as an eating disorder or not. Perhaps it’s just a manifestation of something else within me, and I don’t know if something that only happens every couple years is an eating disorder. But I do know that it does feel mildly beyond my control. When I first began getting healthy and losing weight this time around, a few months ago, I was determined not to let it grip me this time. I began at first simply by deciding to eat better. I never stepped on the scale. I went to the gym occasionally, but on no set schedule. My idea at first was just to make the next right decision with food.  Every time I ate, I would eat a reasonable portion, or forgo condiments that might add calories or fat.  I would skip the snack at night.  I wouldn’t drink calories unless it was part of some healthy beverage.  And so on.  And so this is what I did for about a month.  I stepped on the scale finally: 178.  A better starting point than my previous times; I’ll never know what I really started at, the month before I started eating better.
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After I stepped on that scale the first time, I was able to keep things pretty healthy for a month or two. I would only check my weight every couple days. I started working out more, because I wanted to be healthier, I wanted my circulatory system and my respiratory system to really be awesome. I continued  just making the next right decision with food, and while the scale didn’t always show a loss when I stepped on it, the trend was generally downward and I was pleased. But somewhere along the line, about a month ago, it gripped me again. I started cutting back on calories in an extreme sense, I wasn’t able to go the the gym as I have been before, but I started to deprive the calories, I started to step on the scale multiple times a day, keeping track of when the last time I had a drink was, in case that was showing on the scale. Had I peed recently? What all was traveling through me? Almost at any point in the day, I could tell you how much I weighed. Of course the thing is, it’s working like gangbusters again. I expect to wake up tomorrow morning at 161 pounds, about to enter the 150s! The changes are finally starting to be noticeable, although I still hate my belly. Even at 140, I typically hate my belly.
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I’m writing this now, I think, because I’ve realized it’s gripped me again and I’m not going to let it happen this time.  I’m going to keep dieting, in a prudent way, and I’m going to keep working out and getting healthy.  And with my lovely partner’s help (there really is nobody better than Karla for, basically, anything) I will work through my scale-watching, calorie-obsessed issue. I will lose weight and keep it off and get fit and stay that way–because I have to and because I want to.  But once I start seeing the scale move and the numbers go down I want to be at the end NOW.  And I know how to do it.  But how many times do I have in me?  Frequent weight swings of this magnitude will wreck a human body.
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I suppose I am putting this out in the world as an additional counter-measure; if everyone knows about it, it adds an extra layer of accountability for me.  And also to add a voice to dispelling the myth that men don’t have body issues.  While our culture certainly creates a toxic environment for women and what they have to put up with as far as beauty standards is horrific and as a man I do not have nearly so much against me, I do struggle greatly with anxiety of how I look to others.  I hate my flabby paunch, my jiggly underchin, my wrinkly eyes.  I obsess over how I look–especially when I’m at my worst.  I’m not suggesting that male body issues need to be a major area of social discourse, but unfortunately there remain many women and men out in social media land–most of whom I consider quite enlightened otherwise–who frequently post memes and such of shirtless firefighters (or etc etc) with captions like “I’m gonna set my house on fire”.  Of course these shirtless men always have physiques that would be literally impossible for me to attain at this stage in my life, no matter what I did.  But there they are–intelligent, socially aware adults perpetuating an unattainable vision of masculine beauty.  Please don’t get me wrong–I’m certainly not blaming my weight fluctuations on memes.  I’m just putting it out there for thought: we’ve fought hard against idealizing ludicrous feminine beauty standards for years.  Please consider the men in your life before you do the same to them.  We are not immune to feelings of body shame.
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Please don’t think you need to worry about me, either.  I know I used the term “eating disorder” in here but I am in no danger.  I ate pretty well today and plan on it tomorrow, too. And I have a pretty good team in my corner.  I hope to update you soon on how I attained my goal weight, the healthy way.

Union Canal, 6/25/17

Posted in real life with tags , , , , on June 25, 2017 by sethdellinger

Today, Karla and I visited the remains of the Union Canal, not far from us, in Lebanon, PA.  The Union Canal (so named for the merger of two companies–it was unrelated to the Civil War) was one of the first canal systems in early America.  It actually started at Middletown, our current home, and extended to Reading, PA, in an attempt to connect the center of the state with the port in Philadelphia. Today, only 5/8 of a mile remains, right here in Lebanon.  And part of that remaining stretch includes the Union Canal Tunnel–the oldest “transportation tunnel” in North America.  It was pretty awesome! There are few things I love more than these vestiges of early American history that are hanging around in our own backyards.  Here are some pictures and videos I took.

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The Dam at Otter Creek

Posted in real life with tags , , , on June 25, 2017 by sethdellinger

It’s been a few years since I used this space to write about the band LIVE.  They will always be one of my favorite bands, but like all artists, their prominence in my life waxes and wanes.  Seeing as I recently returned to the midstate after a lengthy absence and the once-broken-up band recently reunited, they’ve been top of mind lately.

As such, it also occurred to me recently that, having lived so close to the birthplace of a band I am passionate about, it is perhaps a shame I never took an opportunity to explore the landmarks they’ve created.

LIVE is, to my knowledge, the only rock band, of any era, to call Central Pennsylvania home and to also make that geographical fact an integral part of their identity.  Many bands exist that you don’t know anything about where they’re from–personally I have no idea where Queensryche or Deftones are from (and if you do, it doesn’t disprove what I’m saying, so can it) and many bands claim places like California or cities like Boston or New York, or regions like the South or New England.  But LIVE is from Central PA, and York specifically, and their (early) songs are unabashedly about this region.  Ed (the singer) mentions York often, from the stage during concerts all around the world.  So they’re not just a band from Central PA.  These are contemporary artists who have made incredibly successful art about our area; music that is sung by fans all over the world; Ed Kowalczyk crafted lyrics inspired by the very specific blend of elements present in this region and mined universally recognized themes from them.

Their second album, “Throwing Copper” was really the first that most people heard, and it was an international phenomenon.  Their fall from public favor over the years may have obscured the degree to which they were succesful at the time, but “Throwing Copper” was a truly behemoth hit.  Rolling Stone named the band their entertainers of the year that year.  And as popular as the album was in America, it exceeded that breadth in Europe (as the band continues to, to this day).  And “Throwing Copper”–the album the whole world was hip to in 1994 (it would eventually sell 8 million copies) opens with a song called “The Dam at Otter Creek”.

Most of “Throwing Copper” consists of taut, pop-inflected rock with singable choruses. Not so “The Dam at Otter Creek”.  The song opens the album with quiet melodic guitar fuzz, as if an imagined sound from far away.  Like music that had been read in a book, or dreamed. A man’s indistinct voice can be heard.  Is he on a megaphone? What is he saying?  We can’t be sure.  Slowly the sound coagulates, forms into simple repetitive chords, and, like a slow roll of thunder, Ed intones,

When all that’s left to do
is reflect on what’s been done
this is where sadness breeds.
The sadness of everyone.

This is not the typical stuff of radio rock.  This is a song about not living in the past–a common theme, for sure, but not presented in a typical fashion.  For the rest of the song, Ed makes a very bold decision as a lyricist.  In the first stanza (the one above) he presents to us his thesis: if all you think about is the past, that is some sad shit. But then instead of just presenting more lyrics about that idea, he tells us a story, about a time “the guys” built a dam at Otter Creek, and a man dove into the deep water and died.  It is up to the listener to decide how this story relates to the thesis.  Then, after the story, Ed treats us to the wailed refrain:

Be here now.

Of course, if you simply remove the story about the boy at Otter Creek, you have this:

When all that’s left to do
is reflect on what’s been done
this is where sadness breeds.
The sadness of everyone.

Be here now.

So that is a fairly neatly encapsulated philosophy: live in the moment, living in the past is sad.  BUT the “Be here now” line also interplays with the Otter Creek story; is Ed asking us to place ourselves in the shoes of an observer, on the bank of the Creek, watching the boy get carried out in the stretcher?  The listener can make choices about how they want to hear this song; Ed has left some of it in our hands.

Musically, the song builds to an unforgettable crescendo as Ed implores us to Be here now in a vocal rhythm that can only be described as highly unusual.  As a teenager, I had to consult my liner notes to figure out what he was saying.

Before I go on, I will present the complete lyrics and a YouTube of the song itself:

“The Dam at Otter Creek”
Ed Kowalczyk

When all that’s left to do
is reflect on what’s been done
this is where sadness breeds.
The sadness of everyone.

Just like when the guys
built the dam at Otter Creek
and all the water backed up.
Deep enough to dive.

We took the dead man in sheets to the river
flanked by love.
Deep enough to dive.
Be here now.

We took him three and three
in a stretcher made from trees
that had passed in the storm.
Leave the hearse behind.
To leave the curse behind,
be here now.

 

A few weeks ago, it occurred to me that I live awfully close to York, and so I probably live awfully close to Otter Creek.  So I started researching it.  Where is the creek, where is the dam?

Well, it’s a thorny question to ask.  A lot of people on the internet have a lot of answers.  Where the creek is is simple enough–it meanders for a few miles in the rural farmland outside of York, eventually emptying into the Susquehanna near a tiny place called Airville.  But the dam?  Some say there used to be one, some say there never was, others that the song tells a true story about kids who made their own dam.  Ultimately I decided I’d go see for myself.

There is a famous picture on the back of “Throwing Copper” that shows a sign for the Otter Creek Recreation Area.  This is that album art:

 

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I was able to figure out quite easily where this was.  This is a parking lot that belong to the Otter Creek Campground, but is open to folks who are not campers at the campground.  The interesting thing about this parking lot is it is RIGHT AT the spot that Otter Creek empties into the Susquehanna River, AND it is in a spot that there is a river island about 150 yards from shore, making the Susquehanna look very small, so people pulling into the parking lot might be confused as to what body of water they are really looking at.  It’s, quite frankly, a little confusing.  Here is a picture I took of this confusion:

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Alas, the famous sign from the album art has been changed, as one would imagine it would be after 25 years.  Here are the sings there now:

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While the sign has been changed, after having been there, one can clearly tell it is the same parking lot as the one in the album photo.

Here are a few more pictures I took while in the campground parking lot:

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Interesting, right? Given the lyrical content of the song. However, this is ALL Susquehanna River right here. If one dove here they would not be diving into Otter Creek,

One immensely interesting takeaway here is that the creek emptying into the Susquehanna finally sheds light on the lyric “They took the dead man in sheets to the river”.  What a perplexing line that has always been for me! I’d often wonder if we were talking about a creek or a river, and why/how do you take a dead man from the place he got hurt…to the place he got hurt?  But standing there, I can see that they would be moving him from the small creek to the large river.  Now…why they might do that would still be a mystery.  Also, this geography coupled with the lyric almost makes it certain Ed’s lyric is about this very specific spot.

And so, voila, that being the case, I will tell you, there is no dam there.  Maybe there was at some time, of that I have no idea.

Yes, some people will say this: there is a dam on the Susquehanna about a mile downriver.  I’ve seen some folks say THAT is the dam in the song.  That’s clearly poppycock.  Admittedly, it would be more clear if the song was “The Dam ON Otter Creek” instead of AT; the at does leave room for interpretation, but it is my assertion that the line “we carried the dead man in sheets to the river” authoritatively places the story at the confluence of Otter Creek and the Susquehanna River, dam be damned.

After I spent some time in looking around the confluence area, I got back in my car and drove for an hour or so around the country in the area, criss-crossing back and forth over the creek as many times as I could, looking for more access points; maybe secretly hoping for signs of a dam, but also just vibing in the origins of LIVE and remembering there are things about the midstate that are worthy of high art.  Yes, it is beautiful, serene, and contemplative, but as Ed is aware in plenty of other songs, it can be dark, derelict, and sinister.

That being said, here are a few other shots I took of the creek at other points on my drive:

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Our Dewey Walk

Posted in Prose, Uncategorized with tags , , , , , , on June 11, 2017 by sethdellinger

I just went out for a very late night walk with Benji. The moon was so bright, a brazen beacon up there, like some alternate version of the sun, and it is so warm, like nights I remember from technicolor teenagehood, and the smell of grass, always the smell of grass, and tonight the tiny insects that swarmed Benji and I even seemed pleased, seemed to be telling us their happiest secrets. Barely midnight and already dew droplets leapt from the ground with each step we took, Benji looking for the perfect place to pee, different every time we come out but always perfect.  I was bathing in the moonlight like it was sunlight, turning my face toward it and soaking it in, staring at the gray ball, stunned as I often am by the thought that there’s a world there, that I’m looking at another world and it’s there right now, the surface of the moon, sitting there waiting for something, or maybe not waiting at all but just happy all alone, its craters and mountains just perfect, silent and airless and pockmarked, goddamn what a beautiful night with the insects and Benji looking back over his shoulder at me, his big black eyes pleading something, something I can’t know and can never know , and tucked inside our little air conditioned house my Love sleeps, her of the fine features and deep understanding, she sleeps in there like the surface of the moon and she has chosen me and aint it grand, aint it grand indeed.  Tomorrow we’ll wake up without an alarm and have mango and basmati rice for breakfast, and a pot of coffee, too, and maybe Schubert on the stereo.  Oh, life is probably pointless, ultimately, just atoms and electrons and consciousness happening by accident, the whole damned scene just one ludicrous accident, but who can argue with this, with the moon so serious and luminous and the dog looking over his shoulder and the air conditioning inside and basmati rice tomorrow, who would ever want to call any of it an accident?  Oh Karla I love you so much!

A Quick Word

Posted in real life with tags , , on May 14, 2017 by sethdellinger

Hey folks!  It’s been a long time since I posted an entry, and this coming right after I had a bit of a blog revival going on.  I just wanted to pop on real quick and let you know the blog revival is most assuredly still happening!  I currently have about a dozen entries percolating in me ol’ cranium–from the highbrow to the simple life-update variety–but, as many of you may know, it’s been a hectic time the past month, with lots of changes and whatnot (all good) in many facets of my life.  While I am adjusting (to new house, new commute, new town, new job) writing/ artistic time has taken a back seat to simply existing and figuring things out.  Again, these changes are all good (or at the very least, neutral), but I wanted to explain my silence.  I’ll be back very soon!

Protected: The Will is Good But Now Different

Posted in real life with tags on April 20, 2017 by sethdellinger

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Toddler Files, #4419

Posted in The Toddler Files with tags , , , , on April 10, 2017 by sethdellinger

The three of us were just walking along a sidewalk, and following a brief period of silence, Boy says: “Some animals don’t like potatoes.”

Posted in Photography with tags , , on April 6, 2017 by sethdellinger

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