Archive for October, 2010

Audio Poem: “Delirium Tremens”

Posted in My Poetry with tags , , , , on October 31, 2010 by sethdellinger

Year Written: 2005
Collection: The Loosing of Clocks

Delirium Tremens

Your blood boils, and then
it seems that there
might be nothing
else; that this
time you may have
gotten away lucky;
a clearness as of
frigid water forced
over your sleeping
head.  But then
civilization crowds around
your peripheral
sight;
with every possible image
comes another
and yet another;
all feverish history
coalesced within your
optical nerve;
you can’t see
the sides of the
hallway, only
the carpet or ceiling;
the insects of progress
buzz swarmingly
around your outer
sockets,
visions forming in the
mass like grass clippings
or clouds:
not hallucinations
really
but cognizant unrealities:
Beaowulf sleeping
on the Golden Gate,
stiff underwear marching
over Leningrad,
broken pills in a dresser
drawer beside the scissors,
impossibly large globs
of mascara and gin syrup
banging on the door,
warm flashes of wanton islands
searching through
your soaked drunken pants
finding car keys
and onions,
printing presses moaning
and gurgling
under a moony sky
twitching about for the
relief of their burden,
your socks sprouting leaves
or maybe wings,
your own face
before you, magnified
a million times, people living
in the pores of your nose
criticizing your naked body,
the woman beside you
not a body but a
pencil, an amorous,
pensive pencil
laying purposefully inert,
the woman a mast of
swarming, cognizant
bugs within
the periphery of your
periphery,
not to be touched
or even contemplated upon.
Then amidst the visions—
among the boiling blood—
the most terrible:
quakes, small
at first like
tiny skeletal nudges,
barely
consequential spasms
of reversed desire,
years of stored-up
bodily indulgence
backfiring fumes
through your epidermis;
then gaining size,
quakes becoming
explosions, massive,
unending, will-less.
The lamp hits the floor,
maybe it shatters,
maybe it doesn’t,
the sheets torn
from the bed
in a heap
in the
corner,
everywhere you touch
you may destroy:
it is not up to you:
it is no longer up to you:
what once was a choice
now jumps through your
extremities
in a series of jolts
which have gone beyond
the warning stage
and entered
Delirium Tremens,
the last bastion of the blood you own
needing more,
while screaming for so much less.

Remember Emily Wells?

Posted in Snippet, Uncategorized with tags , , on October 31, 2010 by sethdellinger

Yep, I’m still in love with her.  Mega.

Something Ron Said Once

Posted in Snippet, Uncategorized with tags , on October 30, 2010 by sethdellinger

   “I was sharting before sharting was cool.”

Friday’s Film Clip

Posted in Friday's Film Clip with tags , on October 29, 2010 by sethdellinger

This scene from “Start the Revolution Without Me” remains my favorite moment of verbal comedy from any movie.  Gene Wilder, as always, is a genius, and it always leaves me wishing Donald Sutherland had done more comedy!  (the only potentially funnier scene Gene Wilder has ever been in is the Mensrea/ fuzzy wuzzy scene from See No Evil, Hear No Evil).  So without further ado, the fantastic amazing hilarious scene from “Start the Revolution Without Me”:

Vote for my new mousepad

Posted in Snippet with tags , , , , , on October 29, 2010 by sethdellinger

So, it’s time for me to get a new mousepad, and I figured since I was having trouble deciding on one, I’d open a poll and let you folks decide for me.  Currently I have a kickass Jack Bauer mousepad that has served me well for a few years, but the bottom of it is becoming frayed and is annoying my wrist.  You can see the fray in this picture I just took of it:

So, here are the options for the replacement pad, with the poll at the bottom.  Thanks for voting!

A Pearl Jam mousepad themed after their "avocado album"---one of my favorite albums of theirs.

 

A super-funky Mr. T mousepad!

Super badass "LOST" mouse pad

Large Island Field

Posted in Snippet, Uncategorized with tags , , on October 28, 2010 by sethdellinger

I’ve finally got my second print from TurningArt!  It’s exciting, I really really like it!  I decided on another print by Peter Roux (the same guy who did the first print I got, A Testament of Complicated Mourning) because I just dig his stuff so much.  The new one is called Large Island Field and this is it:

Also, just as this print was getting shipped to me, TurningArt introduced an unlimited print plan, so now it really does work just like Netflix, so I expect to go through prints a little faster from here on out.  It really is a great company, I highly recommend it for anyone who can find room in their budget.  Here’s how Large Island Field looks hanging on my landing:

Seth’s Favorite Poems

Posted in Seth's Favorite Poems (by other people) with tags , , , on October 28, 2010 by sethdellinger

And now, as promised, the third of my “3-way-tie-for-favorite-poem” poems.  It is “I am Vertical” by Sylvia Plath, and I’ve got a version of it on posterboard that I persoanlly wrote with Sharpie marker hanging on my kitchen wall.  Here it is, Sylivia Plath’s “I am Vertical”.  Prepare for amazement:

I am Vertical

But I would rather be horizontal.
I am not a tree with my root in the soil
Sucking up minerals and motherly love
So that each March I may gleam into leaf,
Nor am I the beauty of a garden bed
Attracting my share of Ahs and spectacularly painted,
Unknowing I must soon unpetal.
Compared with me, a tree is immortal
And a flower-head not tall, but more startling,
And I want the one's longevity and the other's daring.

Tonight, in the infinitesimal light of the stars,
The trees and flowers have been strewing their cool odors.
I walk among them, but none of them are noticing.
Sometimes I think that when I am sleeping
I must most perfectly resemble them--
Thoughts gone dim.
It is more natural to me, lying down.
Then the sky and I are in open conversation,
And I shall be useful when I lie down finally:
Then the trees may touch me for once,
and the flowers have time for me.

Wednesday’s Picture

Posted in Photography with tags , , , on October 27, 2010 by sethdellinger

New Bloomfield, Perry County, Pennsylvania

Posted in Memoir with tags , , on October 26, 2010 by sethdellinger

It’s a half a house, on the ‘main drag’ of this small country town.  New Bloomfield is a town a bit smaller than the small town I grew up in, with one main street and a few tiny offshoot streets, one diner, and a Uni-Mart.

            The house itself is old; it’s red brick, and the wooden parts of it’s structure are a dirt-brown, but have been painted over so many times, they are thick with hidden layers.

            The rooms inside are terribly narrow; this house was not designed to be split into two halves.  And since I’m essentially squatting here (with a married couple and an unmarried couple), the actual room for me to maneuver is minimal.  I have a couch (usually) and that is all; my room is the living room, which is also everyone else’s living room.

            It’s a two-story house, with a tiny kitchen that I barely even remember, and a winding, death-defying staircase which I ascended as rarely as possible (but frequently, anyway, as the only bathroom was upstairs.)

            My life in this house is partying.  I love to party here, and everyone else usually comes along for the ride.  Sure, I’m doing some depressed drinking alone late at night here, like everywhere else, but since this house has somehow become a gathering place for our ‘crew’ (which is odd, since we are at an outpost of civilization, half an hour from the closest supermarket and even further from where most of our friends live. Somehow, they make the trek out here often) I have found a renaissance of partying.  And we have all discovered “King Dickhead”.

            King Dickhead is a drinking game that utilizes playing cards, but you don’t really play cards.  Certain cards and suits do things like give players ‘powers’, force other players to do things, or kick off other ‘mini-games’ within the game, such as “Never Have I Ever”, in which  the player who drew the card says something like “Never have I ever blown a dude,” after which everyone who has blown a dude has to drink.

            These games could reach epic heights of ridiculousness in those days.  We were a group of people undergoing a stretching of our moral compasses, and the debauchery and elegant silliness that took place in that small living room was practically Roman.  During one particular game, I was made to sing “I’m a Little Teapot”, complete with all the body motions, completely nude in front of everyone, another friend was forced to disrobe, sit Indian Style, lean back, and place a lit cigarette in his asshole, for everyone to see.  That was gross. But hilarious.  And don’t get me started on the now-famous ‘parade of penises’.

            It was after one of these particularly raunchy games of King Dickhead that a bunch of us were sitting around the living room, relaxing, in various forms of drunkenness, that someone pulled out an acoustic guitar and began strumming it.  Almost immediately, one of the females turned to my close friend P—, and said, “Ooooh, can you sing that Seven Mary Three song? What’s it called?  I love it when you sing that song!”

            See, I had just recently introduced P— to the band Seven Mary Three, by way of the song that was being referenced, which is called “Lucky”.  For years I had been the only Seven Mary Three fan I knew, and I tried to convert just about everyone I knew, to no avail.  Everyone in that room had been subjected to my Just listen to this one! pleas and they had all summarily shot the band down.  Now, less than a month after P—‘s conversion, he is being enthusiastically asked to sing one of the band’s songs at a party! You can probably all see why this would be minorly annoying, but I was incensed beyond all belief.

            I stood up from my seat on the floor and ranted immediately.  Everyone was justifiably shocked by the level of my anger (later they would become accustomed to this sort of behavior).  When it became apparent that my wrath was not going to cause anyone to say “Why, Seth, I had forgotten you liked this band first! Why don’t you sing us the song instead?” I stormed out of the room, up the narrow, winding staircase and stopped in the hallway at the top of the stairs.  I was incredibly drunk and could barely see straight, and my anger was absolutely boiling.  I punched a wood-paneled wall as hard as I could, but would not feel it until the next day.  I paced.  I said terrible things under my breath.  But I didn’t fall apart until I heard the first few chords of “Lucky” float up the stairs to me, and shortly after, P—‘s soft, understated voice charming the first few lyrics out of his throat…Mean Mister Mustard says he’s bored…of life in the District…he can’t afford…the French Quarter high…

 

I began to cry, to bawl, to sob, as I slid down the wall and sat with my back against it, my body heaving and snot running down my face.  I was as twisted as the staircase in those days, and as immovable.

Monday’s Song: Thursday, “For the Workforce, Drowning”

Posted in Monday's Song with tags , , , on October 25, 2010 by sethdellinger

Falling from the top floor,
your lungs fill like parachutes,
windows go rushing by;
people inside
dressed for the funeral
in black and white.
These ties strangle our necks,
hanging in the closet,
found in the cubicle;
without a name, just numbers
on the resume stored in the mainframe,
marked for delete.

Please take these hands,
throw them in the river!
Wash away the things they never held!
Please take these hands,
throw me in the river!
Dont let me drown before the workday ends.

9 to 5! 9 to 5!

And we’re up to our necks,
drowning in the seconds,
ingesting the morning commute
(lost in a dead subway sleep).
Now we lie wide awake in our parents beds,
tossing and turning.
Tomorrow we’ll get up,
drive to work
single file
with everyday—
it’s like the last.
Waiting for the life to start,
is it always just always ahead of the curve?

Just keep making copies
of copies
of copies!
When will it end?

(it’ll never end,
until it gets so bad
that the ink fills in our fingerprints
and the silouhette of your own face becomes the black cloud of war
and even in our dreams we’re so afraid the weight will offset who we are;
all those breaths that you took have now been canceled in your lungs.
last night my teeth fell out like ivory typewriter keys
and all the monuments and skyscrapers burned down and filled the sea)

Save our ship!
The anchor is part of the desk.
We can’t cut free.
The water is flooding the decks,
the memos sent through the currents,
computers spark like flares. 
I can see them,
they don’t touch me,
touch me.

Please someone,
teach me how to swim.

Please, don’t let me drown.

REAL conversation I had a few days ago

Posted in Snippet with tags , , , on October 24, 2010 by sethdellinger

Me  (looking at someone I know who is holding their cheek, seemingly in pain):  What the hell is wrong with you?

Person I Know:  I bit my cheek!  Like, really really hard!

Me:  How the hell did that happen?

Person I Know:  I thought it was gum!

Audio Poem, “How Did You Get in Here?”

Posted in My Poetry with tags , , on October 24, 2010 by sethdellinger

Fans of “How Did You Get in Here?” will note that I have edited it from it’s original version (striking in its entirely the original line 6 and altering line 7).  Click the gray arrow to play it.

Year written:  2004
Collection:  Of Course

How Did You Get in Here?

Promise me I’ll never find you naked on my bed,
your feet a yard apart, midsection arching skyward,
fingers clasping the oak risers of the headboard,
gasping for breath.  Oh dear what a nightmare!
Please don’t smile as I walk in, or wink.
As I circle the bed, slowly disrobing,
please do not snake your hand downward
toward your moist bubble
or begin making the kinds of sounds
that I associate with lovemaking,
like low throaty whimpers.
Oh, that would ruin me!
And as I waddle toward you on the bed
on my knees
raising myself above you
planting both my arms on either side of your head,
please don’t whisper that you love me,
or promise me eternity,
because I am through with empty gestures.

Posted in Snippet with tags , on October 23, 2010 by sethdellinger

Headline of a small blurb in today’s (Friday) New York Times: 

Vans Driven Out of Egypt

The blog post where I mention everyone I know who already has an existing “tag” on my blog, so I can tag them again and insert a useful or ridiculous link to them.

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 23, 2010 by sethdellinger

1.  Oh hi, billhanna.  I see you ‘liked’ goatees on Facebook yesterday.  Our adversarial relationship about facial hair will continue to the grave.  THERE CAN BE ONLY ONE!

  2.  Anyone who knows Tasha, check out the link, she just got a radical new haircut!  I love it!

3.  I have quite few friends who are talented musicians—one of them is the great Bootney Lee (real name Ryan Straub).  I double-dare you to click on the link and check his music out.

4.  Guess who I’m going to see next month, as the three of us meet up in central New York for a Hey Rosetta! show???  Well that would be none other than my life-long buddies Paul and Davey!  (he’s Chris Davey, but we call him Davey).  This is going to be exceptional as it’s been a few years since we were together, all 3 of us.  And did I mention it’s a Hey Rosetta show???  I still haven’t seen them live–the shows I was supposed to go to awhile back had to be skipped because life is like that.  I am uber pumped for this!

5.  It has been way too long since I tagged my friend Amanda.  I mean that just like it sounds, too. 

6.  You know who rules?  My mom!  She just quit smoking!!! Raise the roof!

7.  I’m still tickled pink about the Doctor Strange drinking glass that Tony Magni gave me as a going away present when I moved to Erie.  Thanks Tony! 

8.  My friend Denise has a very under-appreciated photo blog.  Click to link to check it out!!!  She’s way talented!

9.  The lovely Sarah P. has just had a baby! Huzzah!  She doesn’t have any sort of online presence so I’ve linked to a picture of Big Ben, which is in England, which is where I met her!

10.  My dad is one cool mofo.  What’s my evidence?  Every single day I become more and more like him, and I am most definitely one cool mofo.  Dad, we are some cool dudes!

11.  I tag Ron all  the damn time, I aint saying anything about him!

12.  Big days for my buddy Burke, who has just started going back to school while also remaining a steadfast David Hasselhoff fan.  Kudos, wanker!

13.  I could probably talk about Mary all day, but I’m pretty sure she’d friend-disown me.  She dislikes scrutiny.

14.  My dear, dear friend Michael (that’s a lady named Michael) sent me the most lovely letter in the mail yesterday.  She sure is a freaking great friend!!  It was quite touching, it brought a tear to my eye.  Everyone should have a friend like Michael!

15.  California buddy Kyle is finally off the unemployment and working at a bank!!! Yay Kyle!  Now:  no more excuses for sneaking into movies, you heathen!

16.  My freaking cool-as-shit sister just got a job working at a law firm!  What what!  Dellingers can do anything!!!  Click the link to read her badass blog!

17.  Also in the world of talented musician friends of mine:  Duane, who records under the name DreamlandNoise.  Click the link for just a small sampling of his superb “space funk”.

18.  What to say about my girl Cory? She recently moved back to central PA, like, RIGHT after I left it.  *frown face*  She’s just the shiznit in every way, and is quite a talented artist.  I’ve linked to some of her art but you might not be able to see it if you’re not FB friends with her.  Which would be your loss.

Something Ron Said Once

Posted in Snippet with tags on October 23, 2010 by sethdellinger

   “I’m going to invent ice cream flavored ice cream.”

Also, I feel it’s been long enough that I can again promote my fake manifesto written by an alternate reality Ron that I posted about 2 years ago.  Re-visit it!

Friday’s Film Clip

Posted in Friday's Film Clip with tags , , on October 22, 2010 by sethdellinger

Today’s film clip comes from the freakin amazing movie “Ravenous”.  Now, I might be wrong about this, but to me, “Ravenous” is one of the few, true modern-day “cult” movies.  Every other movie that’s known as a modern “cult classic” such as “Office Space”, “Donnie Darko” or “The Boondock Saints” (all movies I love, by the way) become so well known as cult faves, they become mainstream successes (note the existence of sequels to two of the three I mentioned).

I think “Ravenous” has not met mainstream approval because it’s more a film for film geeks to enjoy the filmmaking craft that went into it; it’s not particularly funny or heartwarming and doesn’t offer a whole lot of life lessons or kickass one-liners.  It’s just a movie about frontiersmen in 1840s California who eat each other and thereby gain all the powers of their slain and cannibalised enemy.  That’s all.

But it’s so much more.  In this scene I’ve put here, (which is one of the final fight sequences) listen to the music–this is not normal movie music, but it drives and punctuates the scene in a few amazing ways.  It’s a slow build so make sure you listen throughout.

Keep an eye on the editing of Neil Farrell (this guy edited “Ghandi”, for criminy’s sake); at first, the cuts come slowly, and as the action intensifies, they come faster and faster.  At first the ramp-up is almost rhythmic, but as the action gets more chaotic, so do the cuts.  Note a moment when a roof falls down and there are six cuts in about one second–then we go right back to the previous cut lengths (at about 4:18 of this video).

Even the production design thrills:  the live chickens, the sinking-in roofs of the huts, the American flag slack on it’s pole, the skinned pig hung over a porch railing.  The whole film is like this:  richly textured, mildly diseased.

“I haunted a basketweaver’s shop.” Deerhunter in Cleveland, 10/21/10

Posted in Concert/ Events, Photography with tags , , , , , , on October 22, 2010 by sethdellinger

Setlist for Deerhunter, 10/21/10 at Beachland Ballroom, Cleveland, OH

1.  Desire Lines
2.  Hazel St.
3.  Don’t Cry
4.  Revival
5.  Never Stops
6.  Little Kids
7.  Memory Boy
8.  Fountain Stairs
9.  Nothing Ever Happened

Encore

1.  Helicopter
2.  He Would Have Laughed

Seth’s Favorite Poems, SPECIAL EDITION: Philip Larkin’s “The Old Fools”

Posted in Seth's Favorite Poems (by other people) with tags , on October 21, 2010 by sethdellinger

Last week, I posted Larkin’s “Home is So Sad” and indicated that it is in a three-way tie for my favorite poem of all time.  I will now post the second poem in that tie, also by Philip Larkin, and it is called “The Old Fools”.  Now, if I was being quite honest with myself and everybody, I’d probably admit that “The Old Fools” is in fact my favorite poem, but I’m not ready for that level of honesty yet.

Why won’t I admit “The Old Fools” is my #1?  I suppose because, like most Larkin, it is extremely cynical.  But I can’t help it; this poem is incredible, and from the first time I read it well over a decade ago, it has influenced my own poetry probably twice as much as any other poem; every poem I write–no matter the subject matter–I judge against “The Old Fools”.  I could write a term paper right here on why it’s so good, but I’ll let you judge for yourself.

If you’ve made it this far, may I at least suggest you read the poem a few times, as there’s a lot going on here.  The theme of mortality is interspersed with bits on memory, human frailty, the after-life (or before-life) and various other common Larkin themes (which generally boil down to the general futility of everything).  Each stanza blows my mind in unique ways.

The reason I labelled this a “special edition” is because I felt the need to post the audio of myself reading this poem.  I feel as though I read this poem better than I read any other poem in the world–my own poems included.  I must have read this poem aloud, to myself, hundreds and hundreds of times.  There is so much incredible rhythm and stress and intensity of meaning, it’s more fun to read “The Old Fools” than it is to sing Chumbawumba’s “Tubthumper”.  In addition—and here’s some blasphemy—I think I read it even better than Larkin did.  In the existing recording of his reading, he seems too calm; to me there is a sad urgency (and an extreme judgmentalism) to how this poem is read; he reads it sleepily.  (although there is also an eerie sense of calm and knowing in his reading, too)  So, I have posted the following underneath this paragraph:  the text of the poem, my audio version, and a YouTube audio-only of Larkin himself reading it.  I hope at least one person falls in love with Larkin’s style after this (and somone better, because Lord knows I’ve lifted enough of it into my own style!).  Anyway, here it all is, and we’ll be back to the normal unobtrusive poems with next week’s entry (which will, by the way, will be the third in my three-way tie for favortie poem):

The Old Fools
by Philip Larkin
What do they think has happened, the old fools,
To make them like this? Do they somehow suppose
It's more grown-up when your mouth hangs open and drools,
And you keep on pissing yourself, and can't remember
Who called this morning? Or that, if they only chose,
They could alter things back to when they danced all night,
Or went to their wedding, or sloped arms some September?
Or do they fancy there's really been no change,
And they've always behaved as if they were crippled or tight,
Or sat through days of thin continuous dreaming
Watching light move? If they don't (and they can't), it's
 		strange--	Why aren't they screaming?

At death you break up: the bits that were you
Start speeding away from each other for ever
With no one to see. It's only oblivion, true:
We had it before, but then it was going to end,
And was all the time merging with a unique endeavour
To bring to bloom the million-petalled flower
Of being here. Next time you can't pretend
There'll be anything else. And these are the first signs:
Not knowing how, not hearing who, the power
Of choosing gone. Their looks show that they're for it:
Ash hair, toad hands, prune face dried into lines -
			How can they ignore it?

Perhaps being old is having lighted rooms
Inside you head, and people in them, acting.
People you know, yet can't quite name; each looms
Like a deep loss restored, from known doors turning,
Setting down a lamp, smiling from a stair, extracting
A known book from the shelves; or sometimes only
The rooms themselves, chairs and a fire burning,
The blown bush at the window, or the sun's
Faint friendliness on the wall some lonely
Rain-ceased midsummer evening. That is where they live:
Not here and now, but where all happened once.
			This is why they give

An air of baffled absence, trying to be there
Yet being here. For the rooms grow farther, leaving
Incompetent cold, the constant wear and tear
Of taken breath, and them crouching below
Extinction's alp, the old fools, never perceiving
How near it is. This must be what keeps them quiet:
The peak that stays in view wherever we go
For them is rising ground. Can they never tell
What is dragging them back, and how it will end? Not at night?
Not when the strangers come? Never, throughout
The whole hideous inverted childhood? Well,
			We shall find out.

 

And here is a recording of ME reading it:

And here is the author himself, Philip Larkin, reading it:

Deerhunter, “Vox Humana”

Posted in Monday's Song with tags , on October 20, 2010 by sethdellinger

I don’t wanna beat you over the head with Deerhunter, it’s just that I’ve suddenly become ENTHRALLED with this song and I really wish I’d have made it Monday’s song…

Wednesday’s Picture

Posted in Photography with tags , on October 20, 2010 by sethdellinger

Celebrities I Want to Hang Out With. Y’know…Grab a Coffee or a Sandwich.*

Posted in Snippet, Uncategorized with tags , , , , on October 20, 2010 by sethdellinger

1.  Edward Norton
2.  Jimmy Fallon
3.  Helena Bonham-Carter
4.  Vince Vaughan
5.  Christina Ricci
6.  Britney Spears (seriously.  I bet she’s cool as shit.)
7.  Jonah Hill
8.  Steve-O
9.  Philip Seymour Hoffman
10.  Bette Midler (judge me.  Go for it.)
11.  John Daly
12.  Helen Hunt
13.  Will Smith
14.  Bryant Gumble
15.  James Franco
16.  Barbara Walters
17.  Justin Timberlake
18.  Justin Long
19.  Wilmer Valderrama
20.  Kelly Osbourne

*–NOT a comprehensive list of favorite actors/ musicians/ female celebrity crushes.  Just folks I wanna hang with.

Dear forever:

Posted in Prose with tags , , , , , on October 20, 2010 by sethdellinger

Note:  I was just lazing around, watching the Today show, absently scribbling in my journal when I wrote this.  I think it’s fairly meaningless, but I really liked the way it sounded so I decided to post it here despite there being no intent behind it.

 

Dear forever:

I may be done writing to you.  It was an enjoyable partnership while it lasted; I gave you kindling and you gave me babies, but it just seems (quick: a horse-drawn chariot engulfed in flames, a sick dog, men in expensive boots toiling in expensive soil, paintings, a brand new mole on your fleshy pink elbow, pumpkin pie, a dozen children singing inside a church, my 10th grade Social Studies teacher used to call me Darbinger, laughing in a movie theater, faces like full moons, the candelabra falling off the buffet table at the last possible moment, batteries included, folks screaming on the deck of the Lusitania, there is way too much turkey here!, the barn raising gone awry, the instant you realize you’re not young anymore and never will be again, the “Poltergeist” curse, the only moment we were alone, touching the bottom of the lake, Murphy’s Oil Soap, the seagulls and the funnel cake, not being disappointed, the hat flying off the man’s head in the wind, putting down the dog, scratching the itch, horse breath on cold mornings, burning the highboy in the backyard)  I may just not have anything left in me.

Sincerely,
Seth

This is what I gave up!!!!

Posted in Snippet with tags , , , on October 19, 2010 by sethdellinger

I was casually perusing yesterday’s copy of the Erie Times-News when this small headline jumped out at me:

Carlisle Said to Be ‘Walker’s Paradise’.

Of course I was quite intrigued, not only because Carlisle is the town I just moved away from, but because I do A LOT of walking when I lived there!  It really IS a great town to walk in!  Anyway, here’s the content of the article:

According to the website WalkScore.com, which grades communities on their level of walkability, Carlisle, Cumberland County, is one of the most walkable communities in the nation, which is what earned the borough the “walker’s paradise” title.
     The site uses a formula based on population clustering and nearby amenities to give communities a score of up to 100 points.
     At the heart of downtown, at the intersection of High and Hanover streets, Carlisle scores a perfect 100.
     “I think it’s an extremely accurate statement,” Carlisle Borough Manager Steve Hietsch said of calling Carlisle a walker’s paradise.

That was it–it was just a blurb, really.  But pretty awesome!!!  You can find the “walkscore” for your particular address right here.  The score for my old Carlisle address:  91.  The score for my Erie address:  49.  *frown*  No wonder I bought a bike!

Elliotsburg, Perry County, Pennsylvania

Posted in Memoir with tags , , , , on October 19, 2010 by sethdellinger

OK here’s where we’re going to start:

High above the ground, you see mostly green.  Textbook examples of rolling hills, spotty groves of trees, country-style roads that meander in ways which make no surface sense. The blue Appalachians rise, meekly, like the rolled blanket of a sleeping giant, in the periphery.  Amidst all the green, houses are almost invisible; they are rare, at any rate, in this farm country. Most of the land is divided into grand swaths meant for corn, cows, or waiting for corn or cows.  Outcroppings of non-farm dwellings are grouped into ‘towns’ of 6 or 7 houses, skirting pastureland.  As we descend from our perch in the sky, one such tiny outcroppings of houses comes clearer into view: Elliotsburg.  The town exists on one street, for about half a mile. The handful of dwellings are mostly white, about a hundred years old, and absolutely quaint.  From a hundred yards above the town, you can see that all the inhabitants are blessed with large back yards, usable front lawns, ample loose-stone driveways.  Everyone’s lawn is as green and lush as a newly opened golf course.  Sheds as big as barns, in shoddy, Termited disrepair, dot every-other back yard like fire hydrants in a drought city.

            Descend even further with me now, narrowing our view to this one particular house, whose address I forget, if ever I knew it.  We are looking at, from 50 yards above it, a one-story ranch house—white—with a large, almost one acre backyard.  At the rear of the yard sits a dilapidated barn, brown with age and water-logged.  An exuberant blue spruce dominates the smallish front lawn, and the slow rise of Appalachian foot hills can be seen just beyond the wooden fence which marks the back end of the house’s property.

            Now if we drop even further, you can see some details, which may or may not matter to you.  The red front door (never used; this is one of those ‘side door only’ houses), the wrought-iron hand-rails leading up the four side steps; the peeling paint everywhere, the lush lawn ravaged by dandelions upon close inspection.  Hover by the aluminum white side door as I open it for you.

            Inside, we see a house that is the picture of domestic normalcy.  The side door opens into a medium-sized kitchen, with a double sink, an eggshell dishwasher, bread on the counter.  The fridge is marked by homey magnets and drawings done by a very young child.  The patterned linoleum of the floor is straight out of Good Housekeeping.

            If we float on through the kitchen, we come to the living room, with it’s blue carpet, it’s entertainment center housing a modest-sized television, VCR, and one of the world’s best stereos.  Two not-cheap couches hug the walls, and a never-used recliner perches in an inconvenient corner—another American case of having more stuff than space.  The glass coffee table is unclassy and out-of-place, yet in it’s barbarism, it’s statement within the room is succinct.

            Turning at a right angle, almost going back into the kitchen, we run into two bedrooms.  The master bedroom sports a large, almost luxury bed, a quality, almost-antique highboy (which I would later personally burn on a pile of trash), a small television, a bureau with an oversized mirrors. The only thing interesting to ever happen in this room, methinks, are things I was never privy to.

            The other bedroom—considerably smaller—seems unoccupied.  Blankets lay heaped in a corner, an open package of disposable diapers sits in the center of the room.  It is unfurnished and smells like baby wipes and tobacco.

            One thing that has been very noticeable and out-of-place to you since we entered the building is that a rock band is distinctly playing in the basement of the house.  Not a CD of a rock band, but a real, live one.  On the upper floor here, it is difficult to discern what exactly they are playing, or if they are any good, but the true concussive feeling of actual drums being pounded and a real man singing into a microphone is unmistakable.  We turn from the bedrooms and float back through the kitchen, almost back out the side door, but we stop just before leaving, making a left turn, and we are facing a brown, varnished wooden door.  I will open it for you.

            The rock music now blares into our faces, the fullness of it’s sound raising our blood pressure.  Float with me, will you, down these rickety, wooden basement stairs?

            The basement is dark.  It runs the length of the house but is lit by only one small, practically useless lamp in a faraway corner as well as Christmas lights which are strung up the whole way around the room, all year round.  Tapestries line the walls, as well as occasional egg-crate mattresses, for sound-proofing.  Music equipment takes up the entire center of the room: multiple amps, guitars and guitar stands, a keyboard, a drum kit as well as piecemeal percussion instruments, mic stands, a small mixing board, pedals galore, and stuff I never understood.  Mixed in with these musical items are small ‘artsy’ artifacts, like a lava lamp, a Buddha bust, incense holders.  The basement, now like always, smells distinctly of damp must and incense.

            Four men are playing rock music—not typical rock music, but a dim, almost evil rock music, that meanders frequently from the pre-written songs into extended, intense jams which often sound like a slow ride into Hell.  They are talented men but destined for day jobs.

            Let us briefly turn away from the band, back toward the stairs we just came down.  You will see that, to the left of the stairs in a darkened corner sits an old ratty couch with an all-but-destroyed coffee table in front of it. Let us hover in closer to it.  Ah, yes, there I am.  I am sitting on the couch, smoking a cigarette and drinking gin-and-coke, watching the band with much interest.  My unshaved face looks like gold divots have been pasted haphazardly to it.  I have on that patterned gray flannel; it feels like I wore that for years.  I’m wearing my gray derby hat, too.  Backwards, like I usually did.  This basement is my bedroom, and this couch is my bed.   

            I’ve been living in this band’s practice quarters for quite some time now, as well as accompanying them to local bars, helping carry the equipment, sitting through bands I didn’t give a shit about to watch ‘my’ band play.  And even though watching them practice is, to me, what watching television is like to other people (there is no television or even radio in my basement bedroom), I still eagerly watch them as though a very special private performance were being put on for me.  Sleeping isn’t a problem; I can drink myself to sleep even if a band is playing in my bedroom.

            Oh my.  I remember this moment!  Look, the singer is taking a break to go call his girlfriend, but the band continues jamming.  They’re just in a nice, quiet little groove, the bass throbbing in slow-time, the guitar in a sort of fuzz repeat, the drummer noodling along with the bass line. 

            I had been waiting for months for an opportunity like this.  I wanted to show the band that I was a creative fellow.  See, during their jams, I often made up impromptu lyrics to them in my head which I felt were a bit better than anything the lead singer came up with. It wasn’t that I thought I could be the band’s singer, by any means, but simply a desire to be accepted as a fellow artist.

            Watch me get up from the couch and walk to the lead singer’s microphone.  I stand there for a few brief moments, taking in the music, trying to feel what it is ‘about’.  The three band members don’t notice that I’m standing there yet; the bass and guitar player have their eyes closed, and the drummer is hidden behind his drums.  Then I open my mouth, and in my regular speaking voice I say:

            “You see that tree over there?”  I pause for four measures of the music, then: “I’m gonna chop it down.”

            A quick glance around will reveal that the bass player’s eyes are still closed, but the guitar player is looking at me with a sincere look of disgust.  I walk away from the mic stand slowly, nonchalantly, as though it had just been a minor lark.  But I don’t return to the couch, I walk up the stairs, outside, to walk around the countryside a bit.  I had never been so embarrassed in all my life.

Monday’s Song: Deerhunter, “Twilight at Carbon Lake”

Posted in Monday's Song with tags , , on October 18, 2010 by sethdellinger

There’s a nice tempo change for those with patience.  Read the lyrics.  So good.

Go to the shore and pray for the sea.
Go towards the mirror and pray that you’ll see
someone else.
Downtown–
go downtown.
Go to the waves of grain in the center of the state.
Go away.
Go to a parking lot, sit on the ground, and cry.
You’ll never know why.
Start over.
Go to the ocean on a ship.
Wave goodbye to the waves and the frozen shit
that was in your heart.
So long.
Time slows when it goes away.
Go away.
Time Slows.
So long.

LITERALLY

Posted in Rant/ Rave with tags , , , , on October 18, 2010 by sethdellinger

OK, now, I am NOT a grammar/ language/ usage Nazi, or however you want to say it.  I don’t go around correcting people all the time or generally being that kind of prick (I’m a prick; just not that kind).  I’m actually a proponent of language being elastic and I think that generally, those folks who are too strict about language rules have forgotten how absolutely amazing language is.  But if there’s something I can’t abide, it is words being used in the arts or media by paid professionals in a simply wrong way; not for artistic, ironic, or even spiteful purposes–just wrong.  And some of you may have heard my recently-formed rant about people using the word literally when they mean the exact opposite of literally.  To expound:  literally means “Take every word I’m about to say at face value; I am not exaggerating, using hyperbole, analogies, irony, sarcasm, or any other linguistic device.  When I say I have ball cancer, I do not mean my tennis game is off; rather, I mean the cells in my nuts are metasticizing, because I literally mean I have ball cancer.  [note:  I do not personally have ball cancer]”

The opposite of literally is figuratively.   There are a lot of different forms of figurative language, but they all have something in common:  they are not literal.  Something about them does NOT mean what the actual words are saying; they are NOT to be taken at face value.  For instance, if I said to a guy with a horrible pimple, “Nice pimple”, I mean that figuratively.  Remember, the pimple is horrible.  It is not nice.  In fact, there are very few nice pimples.  I think a pimple may need a diamond growing in the end of it in order to be a nice pimple.  In that fashion, if I were to say to the guy, “Nice pimple–literally” and there was not a diamond in it, I either:

A)  Have no idea what “literally” means or
B)  Am using the word “literally” ironically, which is way too post-modern and meta to be doing in normal, every day conversation.

I suspect it’s usually A.

Now, the reason I’m writing this at this point is because I love the show Dexter.  And the actor who plays the titular character, Michael C. Hall (not to be confused with the equally talented Anthony Michael Hall—his most recent series, The Dead Zone. was way underated) is a superb actor whose presence in the movie “Gamer” actually got me to rent (with MONEY) that steaming turd of a film.  Then recently, he started doing car commercials, and it was interesting to hear his voice in that context.  NOW, I must plead with all of you—contact your local politicians to get this ad pulled!!!!  Listen ad wizards:  if a VAN were to LITERALLY give birth to another van, that VAN would need to have a uterus, a vagina, and all the other things that go along with GIVING BIRTH.  Can you imagine a van giving birth?  What’s that gestation period look like?  How do they mate, are there interesting rituals????  It’s just waaaaaayyyyy annoying because it is THE POLAR OPPOSITE of literal.. I can’t even think about it anymore.  Here, watch the commercial, it makes me sick:

Audio Poem: “Shame is a Country”

Posted in My Poetry with tags , , on October 17, 2010 by sethdellinger

Year written:  2004
Collection:  Of Course

Shame is a Country

Shame is a country
run by evil little men
with money in their eyes
and babies in their bellies
waiting in high offices with guns
and scripts to tease and terrorize you with.
Shame is a big country
with leaders made of stone
and streets paved with face-skin
where everything is exactly what it seems,
and everything seems to be burning, and have The Crabs.
Shame is such a big country
that there be unexplored corners of it
where small animals and sentient little pebbles
cower from the terror and tyrany of the hugeness of the country.
Shame is such a bad country to live in
that I’ve seen expatriates walking down the street,
shaking their heads at invisible nothings,
talking to the radio stations playing in their brains,
pushing shopping carts or prams
full of aluminum cans and glass bottles
which have been dug out of dumpsters and damp gutters.

Posted in Snippet with tags , , , , on October 16, 2010 by sethdellinger

After years of  trying to escape my Newsweek subscription, I finally managed to do it earlier this year.  And now, this week, Fareed Zakaria has joined TIME as a new columnist.  (For those of you who don’t know, Zakaria was Newsweek’s main public face for many years, and one of the main reasons I left the magazine behind.)  What’s a boy to do?  I love TIME and am subscribed to it through 2015 but I really, really hate Zakaria.  I know there’s nothing I can do, short of cancelling my subscription.  I’m just venting.  Argh!

Suicide Note #1 (FICTION)

Posted in Prose with tags , , , , , , , on October 16, 2010 by sethdellinger

1. Georgetown, Great Exuma

             Two o’clock on a Sunday afternoon in the Chat and Chill Bar on Stocking Island.  KB, the Bahamian who owns the place, is looking for an argument and can’t find one.  Mandela versus Boutelayzee, Army versus Navy, chanterelles versus portabellas.  Even Mushroom John, who brought his wife, Sandy, down here from their tuber farm in Pennsylvania for their twenty-fifth wedding anniversary, says the rule is to each their own.  Down the beach Junior is making the best conch salad on the island, conch so fresh it is still wiggling when he puts it down in front of us.  I drink two Bombays on ice to Albert’s five Kalik beers, and after some critical mass of mosquito bites we tumble outside to hit the blue, blue water.  I told Albert there was no blue like Exuma blue before we came, and now he says, “It’s so pretty, it’s corny.”

            Every Sunday at the Chat and Chill, KB roasts a pig, we can smell it where we’re floating, you can smell it all over the island when the wind is onshore.  A jellyfish floats across the beige sand below our floating bodies, and a little school of sergeant majors mistake the yellow in my bathing suit for one of their own.  The floating is so effortless, the sun so soft and warm, I’m almost asleep when Junior hollers that the conch fritters are ready, and we swim to shore and eat them, roll them around in the red sauce that has just the right amount of kick to it, get in one more swim before it’s time to eat the pig.

2. Davis, California

            Early morning on what they call the ‘greenbelt’.  Walking with Lucy, while Audrey leaps between furrowed, fallow fields.  Everyone we know calls Lucy Audrey and Audrey Lucy, which is strange since Lucy is a thirty-five-year-old woman, and Audrey is a German shorthaired pointer, but when you see the way they look at each other, you begin to understand.  Lucy has her sister’s name—Emily—tattooed across her bicep.  Last month, Emily tried to kill herself, succeeded, temporarily, was gone, in almost every way that counts, for more than two whole days.  Then she came back from the dead.

            Last night I heard a nightingale imitating a car alarm in a jacaranda tree.  This morning, a heron teases Audrey with a touch-and-go pattern along the creek.  I remember the day last fall when Murray and Melinda and I walked on Limantour Beach after the storm and watched the pelicans.  The storm had brought out all the animals, tule elk, fallow deer, and three coyotes who ran and leapt and did the kinds of things coyotes do in terrible lovely velvet paintings, while we watched, open-mouthed, from the side of the road.  We were each locked inside our individual sorrows, didn’t know each other well enough to share, but we agreed, out loud, that just like moose, pelicans were surely put on earth to act as suicide preventers, agreed we’d never kill ourselves in sight of one.

3. Ozona, Texas

Nine o’clock on a Thursday night, the bar full of Halliburton guys in their red suits, roughnecks from the oilfields for preseason football, hunting stories, and beer.  It is just dumb luck that I’ve worn my camo miniskirt, and I take the best seat in the house for watching the Pats beat up the Redskins, until the bartender comes over and tells us we’ve entered a private club.  Albert rises to leave.  He recognizes enemy territory, knows that sculptors and Halliburton guys shouldn’t drink together, especially not in Texas.  “In that case,” I say, “I’ll take two memberships and two double shots of Patron Silver, and a Coke.”

            We can mark this down as my last fearless moment.  After a few hours—and dozens of silent, accusatory stares—Albert says, “You might be the first woman to ever drink in this bar,” and I say, “You might be the first sculptor.”  Later, in the parking lot of the Best Western, I pick up both of our heavy suitcases and make a beeline for the stairs.  Albert says, “No! Pam, no!” which makes me lift the bags higher and run for it, and when I get to the top I laugh so hard I pee.

4.  Juneau, Alaska

            They said we wouldn’t see any orcas.  They said the humpbacks were in and when the humpbacks were in you didn’t see the orcas, because the orcas were predators and the humpbacks are prey.  It’s been a long day.  We’ve been all the way up Tracy Arm to the glaciers, and everyone but the captain and I are sleeping when a report comes over the radio: orcas in Shearwater Cove.

            By the time we get there, there’s nothing stirring.  A couple of humpbacks out in the main channel a sure sign the orcas are gone.  The captain is worried about the hour, worried about the fuel he’s got left, worried about his daughter, who’s got magenta hair and a T-shirt that says THIS is what a feminist looks like, who is back from somewhere like Berkeley working on his boat this summer, selling sodas to the tourists through a permanent scowl.  There is a flash of fin on the other side of the channel, distant, but unmistakable.  Orca.  Male.

            The captain says, “That’s four miles across this channel, minimum.”  I show him the silver charm around my neck, remind him that it’s my last day in Alaska, promise to swim for shore if we run out of gas.

            “Don’t lose that fin,” he says, turning the bow into the sunset, but I couldn’t lose it if I tried, the water of Stephen’s Passage backlit, a million diamonds rushing toward me in the sun, and one black fin, impossibly tall, absurdly geometric, the accompanying blast of whale breath above it, superimposed onto the patterns of light.

            Spotting whales at sea is not so different than spotting deer in the woods.  For hours you see nothing, and then you see one, and suddenly you realize you are surrounded.  This pod has twenty-five, by my best counting, the one male, who keeps his distance, and twenty-four females, all of them running steadily west.  We get out in front, and the captain shuts down the engines.  Every time the big male’s fin turns itself up and over and back down under the surface of the water, I can’t help myself, I gasp.

5. Laramie, Wyoming

            In the summer, the trains come through town more than once an hour, and Albert and I, locked all night in the bookstore like a fantasy left over from clumsy childhood, pulling books off whatever shelves we want to and reading to each other—poems first, and then settling into stories—on the old purple couch.  We’d come down that day from Walden, Moose Capital of Colorado.  I was sure we would find some marker on the fence where Matthew Shepard had been tied.

            Later, when we had turned out all the lights in the bookstore and thrown the mattress on the floor in the back room, the cow-boy band across the street tried to play “Free Bird” as an encore, and I watched his face above me change color with the flashing light.  He took my hand and made me feel the place we came together.

            “Holy,” he said, not believing in God.

6. Tampa, Florida

Eight o’clock on a Friday night, and downtown is rolled up tight.  Half a block from the old Tampa Theater, lights, voices, and the slow roll of reggae spilling out into the street.  Albert and I have been having a hard time finding fun in Tampa, and the Jamaicans at the Jerk Hut seem to be having some.  It has the feel of a private party, and no one else there is white, but the bouncer says five bucks a person cover, twelve for a bucket of Dos Equis, you can get yourself some food in the back.

            We fill a plate with jerk chicken and fried bananas, open two beers, and settle in on the perimeter.  The band is talented, everyone in the place knows the words and sings along, and even though Albert keeps trying to bend the lyrics political, all the lines I catch are about love and sex and girls.  Albert is not a dancer, but the beat is irresistible, so I compromise, as others do, by swaying in my chair.  When we are not ignored entirely, we are looked at with pleasant curiosity.

            Earlier that day, I was trying to buy some grouper somewhere other than a supermarket, and the woman at the Born Again Produce stand sent me to the Fresh Fish Market in the projects.  “It’s crazy,” she said. “Water, water everywhere, but that’s the only one there is.”

            The Fresh Fish Market is in a strip mall.  Next door at the Joyful Noise Karate Institute, teenage boys in white and purple robes are grunting in unison; the effect is an odd mixture of eerie and calming.  There was only one grouper left in the case, and the woman behind me in line wanted to arm-wrestle me for it, before she broke into a smile so wide it showered the dingy market walls with light.

            Back at the Jerk Hut, the band is on break, and Albert says, “We might be the only white people to ever drink in this bar.”  And I say, “And you might be the only sculptor.”

            I’m finally beginning to understand, that when we want to kill ourselves, it is not because we are lonely, but because we are trying to break up with the world before the world breaks up with us.

            When the band comes back, a waitress named Shaila with beaded dreadlocks and bright green pumps takes both my hands and pulls me to the dance floor.  She says, “We are going to get everybody dancing tonight.”  Two songs later she says, “I’m going back to get Mister,” and I know Albert won’t be able to resist her invitation.  She brings him to me on the dance floor, and two songs later, Shaila gets her wish.  Every single person—even the bouncer, even the kitchen ladies—are dancing, joyful, to the beat.

Nothing Ever Happened to Me

Posted in Concert/ Events, Rant/ Rave with tags , , on October 16, 2010 by sethdellinger

I’m going to see the band Deerhunter on Thursday!!!!  This is super exciting to me, but not to any of you. Not only do none of you know them, I think it’s a fair wager that not a single person I know in the whole world could even be swayed to like this band. Hence, I’m not even going to really write up a pre-show blog about the band, but trust me, this band is incredibly interesting, and here’s just a few reasons why (aside from their music):

1.  Active since only 2001, they have about twice as many ex-members as current members.  They are, to put it lightly, a band with much drama within the ranks.

2.  Lead singer/ founder/ songwriter/ bossman Bradford Cox suffers from Marfan Syndrome,  describes himself as asexual,  claims to write all of his lyrics improvised in the studio (there’s no way this is true) and fires just about everyone he convinces to join his band.

3.  For a brief time, they had a smokin-hot female guitar player who could play the shit out of her guitar (Whitney Petty).  Unfortunately, she got fired before I could ever see them live.  I do not mention this out of an entitled sense of patriarchy; but rather, simply because at this level of rock, the only women you usually find are singers in gimmick bands; a legitimately awesome guitar player of THIS kind of rock is a notable rarity (especially when she’s hot).

I could go on and on, and I haven’t even started with talking about the music yet!  (also, I will be seeing two very interesting opening acts:  Casino vs. Japan and Real Estate, two noteworthy indie acts in themselves.) 

I’ll just post two links on the outside chance that you are interested.  First, here is my personal favorite song off their brand new album.  The song is “Desire Lines”, the album is Halcyon Digest: 

And here is a live performance (featuring now-fired sexy guitarist Whitney Petty) of my favorite song off their last album.  The song is “Nothing Ever Happened” off their album Microcastles.  Some of you may know this song, as it was the lead track on my “Best of 2008” CD that I sent some of you: